EXHIBITIONS / PROJECTS
LINKS
video-paper for talk-shows/conferences
mdv/ 6", monocanal video, 2006 /Soundtrack 386
dx
Uses of a Hand theory / Cultura and Media / Centro Cultural
San Martín / Buenos Aires- Perform ip3 / Museu
Cruz e Souza / Florianópolis / Brazil |

Uses of a Hand theory, self to right, Alicia Herrero,
Leo Stoll, Gabriela Forcadel, Francisco Ali-Brouchoud.
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Description:
Two girls read excerpts from wikipedia on
genealogy of the speech by Michael Foucault, leaving an interruption
(for 3 minutes).This blank space proposed to include the participation
in real time.
It can be presented in conferences, round tables, talk-shows
or exhibitions and interacts with papers by different participations
in real time.

"It is now almost three decades since Foucault reinstated
this attribute to the Greek term Parrhesias , and its particularities
of use in the crisis of the democratic institutions of Athens.
Herrero's work Links (2006) , in as much as it is one of the
possible forms in the 'technologies of self', paraphrases
the French philosopher, challenging the genealogies of this
discourse in a context linked to the technologies and new
media in the Argentine artistic field. This has perhaps been
one of the few attempts in art that have considered the performativity
of the acts of speech as a subject tied between economy, legality
and politics that involve forms of speaking and talking in
democracy, even beyond the media artefacts.
If it has been the (in)disciplined practices that in the past
have exhibited the contradictions that exist in the rhetoric
of liberty, perhaps they have done this less through the formal
creation of constituent projectual devices and transvestite
mechanisms, where the canon or rule of play makes conscious
the act of speaking and its legality with respect to the body
and the word. Or, as in these cases, it is staged, making
the structure of 'how one speaks when one speaks' transparent
once again."
Excerpt from the article "The
enacting of the public (from performativity to emancipation)
in Alicia Herrero's PC " by Teresa Riccardi
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