Alicia Herrero

ALICIA HERRERO
Lives and works in Buenos Aires

biography

EDUCATION

1983-87,
Art, School of Fine Arts, National Institute University of Art, Instituto Universitario Nacional de Arte - IUNA (Prilidiano Pueyrredón) Buenos Aires.

RESIDENCES, GRANTS, MEETINGS, SYMPOSIUMS (*indicates publication)

2011 Capacete, Rio de Janeiro (Artists International Residence)
2010 Making a living, The Showroom, London (International Meeting)
2009 Project at the Opera Theatre of Cartagena de Indias, residence of the Confluencias- X Art Biennial of Bogotá *
2008 Challenges that the globalization in the visual arts; international symposium, UNTREF-National University of Tres de Febrero, Buenos Aires*
2007 Be (com)ing Dutch - Caucus, Van Abbemuseum, Eindhoven (International Meeting)
2007 Regional Meeting of Art, Visual Art Museum, Montevideo
2006 RIAA, Ostende * (Artists International Residence)
2002 Kaus Australis, Rotterdam (Artists International Residence) (Artists International Residence)
2001 big River 2, CCA, Port Spain* (Artists International Residence)
2000 Studios Duende, Rotterdam (Artists International Residence)
1997 Grant Nacional, Fondo Nacional de las Artes
1997/6 Grant Fundación Antorchas, Taller de Barracas

SELECTED ONE-PERSONS EXHIBITIONS

2012 Action-Instruments Box, Arco Solo Project, Galería Demare, Madrid*
2009 Art&Capital [Conversazioni, Suite Auction Drawings, Errata], dispari&dispari project, Reggio Emilia
2009 Suite Auction Drawing, Mirta Demare gallery, Arco09, Madrid *
2008 Topologies, Mirta Demare gallery, Rotterdam
2006 Conversations in Alice-Ville, MAC-UNaM Museum of Contemporary Art – National University of Misiones *
2005 Alice-Ville, MACRO, Contemporary Art Museum of Rosario, Argentina*
2002/3 Herrerías, Luisa Pedrouzo gallery, Buenos Aires*
2002 Film, Mirta Demare gallery, Rotterdam*
1998 Enchanted Landscape, ICI, Cultural Iberoamerican Institut, Buenos Aires*
1997 My Booty, Cultural Center Ricardo Rojas, Buenos Aires
1997 Romantic, Patricios Bank Foundation, Buenos Aires*
1995 Violaciones domésticas, Giesso Space, Buenos Aires*
1992 Alicia Herrero, Giesso Space, Buenos Aires*
1991 Alicia Herrero, Recoleta Cultural Center, Buenos Aires*
1986 Alicia Herrero, Hilda Solano gallery, Buenos Aires.*

SELECTED GROUP EXHIBITIONS AND PROJECTS (*indicates publication)

2012

It’s the Political Economy, Stupid, Art & Economies – Public Consideration a Symposium in Three Acts, curator Oliver Ressler and Gregory Sholette, Austrian Cultural Forum New York*
New Acquisitions, Action-Instruments Box, Malba - Museo de Arte Latinoamericano, Buenos Aires*

2011

8th Mercosul Biennial, curator Ignacio Roca, Porto Alegre, Brasil*
Documents for an Imperfect Future, curator Esteban Alvarez, El Paqueadero, Bogota, Colombia*
Report Country (Informe Païs), Gabriela Mistral Center, Santiago de Chile*
Auctions Market & Money, ArteBA, Gallery Mirta Demare, Buenos Aires
Public Considerations, a Symposium in Three Acts, Act 3, Argentinian Parliament, Buenos Aires*
Book Public Considerations project, Buenos Aires*
X200 more, Centro Cultural Recoleta, Buenos Aires*
Culture Secretary, performance, Plaza de Mayo, Buenos Aires*

2010

Publication LiPac 2010 projects, Flight-Sites-Politics, Centro Cultural Rojas, University of Buenos Aires*
Guest of honour Argentina 2010, Frankfort book fair, Errata Book, Frankfort*
Conversartions-Art & Capital project, performative-workshop, Cittadellarte (Artists International Residence), Pistoletto Fondazione,Italy
Fake, Partició_2.0,Modem Center of Modern and Contemporary Art, Debrecen, Hungry*
Documents for an Imperfect Future, Fondo Nacional de las Artes, Buenos Aires*
Public Consideration, a Symposium in Three Acts, Bank: Art & Economies, 9 november/2010*
performative-talk, publicación y video, Auditorum Banco Nacional Argentino, LiPac-Buenos Aires University*
Same/Different, Culture Secretary, ECUNHI, ex ESMA, Buenos Aires
Flows! (Capital Flows!), Magazine in Situ, edition#7, London
Action of Suite Auctions Drawings at Sotheby´s and Christie´s, London
Resumen:Aparato Reproductor, exhibition, Radio FM La Tribu,Centro Buenos Aires
Auction, Market and Money, ArteBA, Mirta Demare Gallery, Buenos Aires
Device Player, FM Radio La tribu, curator Sofi Sagle, Cultural Center Ricardo Rojas - University of Buenos Aires - UBA
LiPac, with: Minerva Cuevas, Ibon Aramberri, Margarita Paksa and other participants. Laboratory of Investigation in Contemporary Artistic Practices, Cultural Center Ricardo Rojas- University of Buenos Aires - UBA*
Aparato Reproductor, exhibition, Galería Centro Cultural Rojas, Buenos Aires
Public Consideration, a symposium in three acts -Art and Knowledge, Re-localization, tables works, performative-talk, publication, video - with the Center of Investigation of Philosophy Faculty of National University of Córdoba, Auditorium Cultural Center Ricardo Rojas- University of Buenos Aires - UBA*
Pinta, Demare Gallery, London

2009

Art Biennial of Bogota, Museum of Modern Art, Bogotá, Colombia*
Suite Auctions Drawings, Arco09, Mirta Demare gallery, Madrid, España
The commisures of La Boca, Proa Foundation, Buenos Aires
20 Years of Visual Arts, curator Valeria Gonzalez, Cultural Center of Ricardo Rojas and Cultural Center of España, Buenos Aires*
Actions of Suite Auctions Drawings at Sotheby´s and Christie´s, London and Milan
Flows! (Capital Flows!), Magazine in Situ, edition#7, in colaboration with Rana Hamadeh, Tony Chakar (The Atlas Group member), Bar Time Out - Monot - Beirut*
Minigarden at contemporary art gallery, curator Silvia Litardi, collective intervention, Dispari & Dispari gallery, Reggio Emilia, Italy
Flows! (Capital Flows!), Magazine in Situ, edition#7, in collaboration with Collettivo Sottotetto, Reggio Emilia, Italy
To Step of La Rural, curator Cristina Schiavi and Juan Tessi, Mac Morgan Pérez gallery, Buenos Aires
Flows! (Capital Flows!), Magazine in Situ, edition#7, in collaboration with Miren Jaio, Asier Mendizabal, Gabriel Villota Toyos, Oier Etxeberria, María Mur and other participants, Anti space and Bar Marzana, Bilbao*
Culture Secretary, performance in several points of Buenos Aires City, Buenos Aires*
Festival VHS/Video, Menú a la Carte, Studio Augusto Zanella, Buenos Aires
Mi Ranchito, Cristina Schiavi and Juan Tessi, Mark Morgan Pérez garage, Buenos Aires
LiPac, with: Marta Minujin, Joop van Lieshout, Raimond Chaves, Lara Almarcegui, and other participants. Laboratory of Investigation in Contemporary Artistic Practices, Cultural Center Ricardo Rojas- University of Buenos Aires - UBA

2008

Be(com)ing Dutch - curators : Charles Esche and Annie Fletcher, Van Abbe Museum, Eindhoven*
Intermodem, curator Ábel Konya, Modem Center of Modern and Contemporary Art Debrecen, Hungary*
Flows! (Capital Flows!), Magazine in situ, edition #7, in collaboration with Karina Granieri, Katharina Schlieben and Narda Alvarado, Sao Paulo*
Two actions of Suite Auctions Drawings at Sotheby´s and Christie´s, London
Artist´s Books, Archimboldo gallery, ET Art Fair, Buenos Aires
Flows! (Capital Flows!), Magazine in situ, edition #7, in collaboration with Daniela Swarovsky and Lara Almarcegui, Rotterdam*
LiPac, with: Dora García, Nina Möntmann, Katherine David, Fran Ilich, Alejandro Grimson, Jorge Macchi, Gustavo Romano, and other participants. Laboratory of Investigation in Contemporary Artistic Practices, Cultural Center Ricardo Rojas- University of Buenos Aires - UBA
Flows! (Capital Flows!), Magazine in situ, edition #7, in collaboration with María Fernanda Cartagena, Paco Salazar , Ulises Unda, Bar of Contemporary Art Center, Quito*
Flows! (Capital Flows!), Magazine in situ, edition #7, in collaboration with Nina Möntmann and Teresa Riccardi, Bar La Carcova, Buenos Aires*

2007

Rethinking Dissent, Goteborg International Biennial, Goteborg, Sweden*
Biennial The End of the World, Ushuaia Biennial*
Toronto Fair Art, Lilian Rodriguez gallery, Toronto, Canada
Intermodem, Intermedia Festival and exhibition, curator Ábel Konya, Debrecen, Hungary*
La casona en el Recoleta, curator Marcelo de la Fuente, Cultural Center Recoleta, Buenos Aires
Video Arte Club, curator Cristian Segura, Florencia Loewenthal gallery, Santiago de Chile
Resplandores, curator Rodrigo Alonso y Graciela Taquini, Cultural Center Recoleta, Buenos Aires
a.i.r. (Actions, Investigations, Re-reading), curator Gustavo Romano, CCEBA - Cultural Center of España in Montevideo*
Let´s dance, curator Marcio Harum, Filmvorführung, Frankfurter Kunstverein, Frankfurt
a.i.r. (Actions, Investigations, Re-readings), curator Gustavo Romano, CCEBA - Cultural Center of España in Buenos Aires and Córdoba
The Paradigm Confines Tour, Magazine in Situ, edition #6, The End of the World Biennial, in collaboration with : Ricardo Basbaum, Jaime Iregui, Miren Jaio, Bill Burns, Francisco Ali- Brouchoud, Carla Zacagnini, Ushuaia*
The Paradigm Confines Tour, Video version, NBP project by Ricardo Basbaum, Documenta 12 Kassel Nodos project, ArteBA, Buenos Aires*

2006

Living, Magazine in situ, Culture & Media, curator Graciela Taquini, Cultural Center San Martín, Buenos Aires
05982:01, Magazine in situ, curator Fernando Lopez Lage, FAC, Contemporary Art Foundation, Montevideo.
Mise en scène: an aprouch to the institutions, Magazine in Situ, edition #5 in collaboration with Alejandro Cesarco, FAC, Contemporary Art Foundation, Montevideo.
Perform_ipa, Museu Cruz e Sousa, Universidade do Estado de Santa Catarina, Florianopolis, Brazil
MACRO Collection, curator Fernando Fariña, Museum of Contemporary Art, Rosario, Cultural Center, Recoleta, Buenos Aires
Flyers-Chat, Mirta Demare gallery, Rotterdam
Interferences at ArteBA, Magazine in situ, ArteBa edition #4, in collaboration with, Fernando Lopez Lage, Gustavo Romano, Francis Alÿs, Belén Gache, Buenos Aires
Fiction, microcine Viejo Hotel Ostende, Abierto RIAA, International Residence of Artists in Argentina, , Ostende.*
Collectives of Buenos Aires, exhibition, Vassari gallery, Buenos Aires

2005

Art Frankfurt, Ruta Correa gallery, Frankfort*
Paperworks, Mirta Demare gallery, Rotterdam
The problematic of gender in contemporary Latin American production, curators: Ana Tiscornia and Patricia Betancour, Cultural Center of España, Montevideo *
Art Week, MACRO, Museo de Arte Contemporáneo, curator Fernando Fariña, Rosario
Implícito-explicito, curator Graciela Taquini, El Borde gallery, Buenos Aires
Re-reading of the MAMBA Collection, curator Laura Buccellato MAMBA, Museum of Modern Art, Buenos Aires*
Asunción del video, curator Graciela Taquini, Argentina Embassy, Asunción, Paraguay
Collection Alón Foundation Alón, Buenos Aires
Certamen Iberoamericano de Pintura 2005, CAIC, Cultural Center Borges, Buenos Aires*
Periférica, Alertart, curator Marcela Rommër, Cultural Center Borges, Buenos Aires
Visual Art Prix, OSDE Foundation, Buenos Aires
Bola de Nieve, galería virtual, Start Foundation, www.boladenieve.org

2004

Reduced Model, curator Horacio Zabala, Cultural Center of España Buenos Aires*
Asunción del video, curator Graciela Taquini, Cultural Center of España, Asunción, Paraguay
Hábitos, curator Mónica van Asperen, Estudio Abierto, (Palacio Barolo) Ciudad Autónoma de Buenos Aires*
The Secret, micro-space 1, curator Belén Gache, intervention show-window, Centro Cultural de España en Buenos Aires*
Zoom project, curators: Graciela Taquíni, Gaston Duprat, Mariano Kohn, video, 5” for television, Ciudad Abierta Channel, Culture Secretary of Buenos Aires city.
Limb0 Prix, curator Laura Buccellato, MAMBA – Museum of Modern Art, Buenos Aires*

2003

Alltag und Vergessen, video-installation, curator Andreas Fanizadeh y Eva Meier, NGBK, Neue Gesellschaft für Bildende Kunst Berlín and Rothe Fabrik, Shedhalle, Zurich*
Drawing´s Biennial 2003, curator Marcelo de la Fuente, Casona de los Olivera, Buenos Aires*
Al plato, curator Liliana Piñeiro, Cultural Center Recoleta, Buenos Aires
Artists from ‘90, National Found of Art, Arte BA, Buenos Aires
Contemporary Biennial of Bahía Blanca, curator Andres Duprat, Contemporary Art Museum, Bahía Blanca, Argentina.*
Trap and simulation, curator Graciela Taquini, Cultural Center of Victoria Ocampo, Mar del Plata, Argentina*

2002

Chat, Meeting places, curator Cris Dercon, Boijmans van Beauningen Museum Rotterdam.*
Bairon-Herrero-Van Aspen, Art Contemporary Mendes Center, Rio de Janeiro.
Art Electronic Cycle, curator Laura Buccellato, MAMBA – Museum of Modern Art, Buenos Aires.
Video Emergence, curator Graciela Taquini, Contemporary Art Center Mopt, Mar del Plata, Fine Art Museum, Mendoza.
Last Tendencies, curator Laura Buccellato, MAMBA – Museum of Modern Art, Buenos Aires.*
Trap and simulation, curator Graciela Taquini Tabella, Subte, Cultural Center, Montevideo.*
Arco02, Luisa Pedrouzo and Mirta Demare galleries, Madrid.*
The Toys of Icaro, curator Lilian Llanes, Centro Wilfredo Lam and Comunita Valencia, Cultural Center Recoleta, Buenos Aires.*
Into back-stage, Ruta Correa gallery, Frieburg, Germany.*
Film, Mirta Demare, (International Film Festival Rotterdam), Rotterdam.*
Unfair Tale project, with Raimond Chaves, Witte Plein, Amsterdam 02-02-02
ICI Patrimony, Cultural Center of España, Buenos Aires*.
The ground assault, curator Ana María Battistozzi, Estudio Abierto, Casa de la Cultura, Buenos Aires.*

2001

Chat , Meeting places, curator Cris Dercon, Boijmans van Beuningen Museum Rotterdam.*
Inventory - It´s a jungle out there, CCA - Contemporary Centre Art, Trinidad.*
Expo-inagural 1, Luisa Pedrouzo, Buenos Aires.*
Bienal de Arte Contemporáneo, Museo de Arte Contemporáneo de Bahía Blanca.*
Arco, Feria Internacional de Arte Contemporáneo, Mirta Demare Madrid.

2000

Szene Buenos Aires, Dotternwerk Museum, Dottenhausen.*
Herrero, Duende Internacional Programe, Rotterdam.

1999

Szene Buenos Aires, Ruta Correa, Freiburg.*
Szene Buenos Aires, Art Frankfurt.*
Premio Fortabat de Pintura, Museo Nacional de Bellas Artes, Buenos Aires. *
Bienal Nacional de Arte, Museo de Arte Contemporáneo, Bahía Blanca.*
Colección Dr. Gustavo Bruzzone, Arte de los 90, Centro Cultural Ricardo Rojas, Buenos Aires.
Transliminares, Fondo Nacional de las Artes, Buenos Aires.*
Centro Cultural Rojas en la Patagonia, en Museo Universidad de la Patagonia, Ushuaia.*
"en síntesis”, Espacio Giesso-Reich, Buenos Aires.

1998

Balance’ 98, Fundación PROA, Buenos Aires.*
Homenaje Niní Marshal, Fundación Banco Patricios, Buenos Aires.

1997

[en tránsito] Señales Presentes, Museo del Chopo, México.*
Homenaje a Ana Frank, Museo de Arte Contemporáneo, Bahía Blanca.*
200 x 200, Centro Cultural Recoleta, Buenos Aires.
Premio Fortabat, Museo Nacional de Bellas Artes, Buenos Aires.*
Premio Gunther, Museo Nacional de Bellas Artes, Buenos Aires.
Premio Novartis, Museo Nacional de Bellas Artes, Buenos Aires.*

1995

Violaciones domesticas, Herrero-López-Schiavi, Centro Cultural de Asunción, Paraguay.*
Libro de Artista, Centro Wilfredo Lam, La Habana.
Premio Fortabat, Centro Cultural Recoleta, Buenos Aires.*
Galería Parafernalia, Lima.
Libro de Artista, Bookstore, Buenos Aires.
Pobre pero limpita, pub-discotheque Ave Porco, Buenos Aires.

1994

Vivir sin Paredes, S/T curator Ana Gallardo, public space: Florida y Paraguay, Buenos Aires.
Herrero Propiedades (Inmobiliaria), S/T, curator Ana Gallardo, Loft Giesso, Buenos Aires.
Violaciones domesticas, Herrero-López-Schiavi, Espacio Giesso, Buenos Aires.*
V Bienal de La Habana.*
Premio Klemm, Centro Cultural Recoleta, Buenos Aires. *
99 Cajas, Galería Filo, Buenos Aires

1993
Erotizarte, Centro Cultural Recoleta, Buenos Aires.
Museo Bastión del Carmen, Hilda Solano, Colonia.

1991
Dando color al fruto, co-organizado con Ana Lopéz, Parakultural, Buenos Aires.*
Premios: Fortabat*, Gunther, Blades, Hoechst, La discriminación, Centro Cultural Recoleta and CAIC, Harrod's en el Arte, Buenos Aires.
FABA, Feria de Arte de Buenos Aires, Álvaro Castagnino gallery, Buenos Aires.
Inform Art, Pueblo Blanco, Punta del Este.

1990
Genero Femenino, Profesión Artista Plástica, Museo de Arte Moderno, Buenos Aires.*
Bienal M. Chandon, Museo Provincial de Bellas Artes de Mendoza, de Salta, de San Juan, Santa Fe and Municipal de Bahía Blanca.
Salón Nacional de Artes Plásticas, Museo de Bellas Artes, Córdoba.

1989
Premio Manliba, CAIC, Centro Cultural Recoleta, Buenos Aires.
Bienal M. Chandon, Museo de Arte Moderno. Buenos Aires.

1988
Premio A. Shaw, Academia Nacional de Bellas Artes, Fundación Fortabat, Buenos Aires.
1986
Bienal Latinoamericana de Arte sobre Papel, Palláis de Glase, Buenos Aires, Museo Provincial de Mar del Plata.
Premio, Beca Grabado, Museo de Arte Moderno, Buenos Aires.*
Premio Braque, Centro Cultural Recoleta, Buenos Aires.
Salón Municipal Manuel Belgrano (86,87,92,94), Museo Sivori, Buenos Aires.

1984
Inter-grafik, NGNK, Berlín.*

PROJECTS

Since 2011 Action_Instruments Box
Since 2010 Public Considerations, a Symposium in Three Acts
Since 2009 Auction Market & Money
Since 2008 Suite Auction Drawing
Since 2007 LiPac
Since 2006 Errata
Since 2004 Magazine in Situ
During 2003/2006 EPA!!
Since the mid-1990s Art & Capital series

2008

Capital´s Flows-Magazine in situ, edition #7, in several cities.

Art & Capital: Auction Drawings, life drawings sessions during contemporary art auctions, Christie´s and Sotheby galleries (performances: London 2008).

deNationality, an experiment/State of Translocality(Be(com)ing Dutch, Vanabbemuseum, Eindhoven, 2008).

liPac, Laboratory of investigation in contemporary artistics practices. Ricardo Basbaum, Jorge Macchi, Catherine David, Fran Ilich, Teresa Riccardi, Esteban Alvarez, Mara Fachin / Centro Cultural Rojas, Universidad de Buenos Aires/ Universidad de Buenos Aires
2007
liPac, Laboratory of investigation in contemporary artistics practices. Lectures: Dora Garcia/ Anne Kersten/ Kalle Brolin/Kristine Muntzing/Conversation with Liliana Porter/Seminary by Gonzalo Aguilar/Filmprogram selected by Andres Di Tella/Conferencia José Luís Brea / Centro Cultural Rojas, Universidad de Buenos Aires/ Universidad de Buenos Aires

The Paradigm Confines Tour, Magazine in situ, edition # 6, Biennial of The End of the World, Ushuaia.

2006
HuespEDid, EPA!! 4(CCRojas-universidad de Buenos Aires), oficina - documents - projections - djs , Casa Guagnini, Buenos Aires

Print page MIS5, Traveling Magazine Table, Insa Art Space of the Arts, Seoul, Korea

Mise en scène: an approach to the institutions, Magazine in situ, in collaborations with: Alejandro Cesarco, Jackeline Lacasa, Fernando López Lage, artworks from: Andrea Fraser, Rirkrit Tiravanija, Guy Debord, Rene Vienet, Juan Molina y Vedia , entre otros, fac, Montevideo.

Conversations in Alice Ville, Museo de Arte Contemporáneo Misiones

Interferencias en ArteBA, Magazine in situ, ArteBA, Buenos Aires. Activities: Talks: Romano, Herrero, Forcadell, Cippollini, Gache, Ali Brouchoud, M7red. Páginas: León Ferrari, Horacio Zabala, Mirta Dermisache, Raimond Chaves, Gustavo Romano, entre otros. Casting, en colaboración con Gabriela Francone.

2005
Alice-Ville, proposes a path for the museum´s rooms , Museo de Arte Contemporáneo Rosario-MACRO

Magazine in situ - Backstage, is alive and web magazine, it is pressenting in several locations and different ways; this edition - Backstage - was in the port of Buenos Aires city, in collaboration with Centro Cultural de España Buenos Aires, Estudio Abierto, Belén Gache, Fernando López Lage, Santiago Tavella + Gustavo Romano + artists, curators and authors: Ricardo Basbaum, Transnational Republic, Antoni Muntadas, Jacqueline Lacasa, Miren Jaio, Luis Camnitzer, Juliana Rosales, Javier Abrew, Dani Umpi.

EPA!!, Experiencias 3 (afuera), interventions -performances-laboratories, Puerto Madero (new district in Buenos Aires city), project in collaboration with participants from seminary: Proyectos de Arte, Orientación y seguimiento 2005 + Education programe - Centro Cultural Rojas Universidad de Buenos Aires- UBA + Estudio Abierto, Buenos Aires.

2004
I’m here, is an existencial afirmation of the unique, singular and finite life of each persons over the structures that spread to dissolve the individual subject. The phrase: I´m here like trace on thinks and places that tourning round the body human: computers, houses, clothes...messages, writings. Presentation in different locations: exhibition León Ferrari 2004, Centro Cultural Recoleta. Alice Ville 2003, MACRO, Museo de Arte Contemporáneo Rosario.

Magazine in situ - Re-vista Espacios y Límites, is a live and a web magazine, presented in several locations and with different ways, CCEBA - Centro Cultural de España Buenos Aires, invited artists, curators and authors: Margarita Paksa, Horacio Zabala, Belén Gache, Mara Facchín, Rafael Cippolini (www.magazineinsitu.com)

EPA!!, Experiencias 2: OFICINA, situational experience in a orderly room, Project in collaboration with participants from seminary: Proyectos de Arte: Orientación y seguimiento 2005, + Education programe -Centro Cultural Rojas, Universidad de Buenos Aires- UBA. + Estudio Abierto, Buenos Aires (www.experiencia2oficina.com.ar)

Alicia Herrero Producciones Culturales presenta…, A H P C investigation about interchanges ways, distribution and publics presentations, invited artists: Horacio Zabala, Mara Facchín y Mariano Vilela, Microespacios del CCEBA - Centro Cultural de España Buenos Aires.

2003
Des-nationalization, parts of the idea that all nationality is an artificial and ideological identity. It proposes that the people can renounce to the nationality within take another, and then, to reconstruct her/his history/story from another points of views.

EPA!!, Experiencias 1: Procesos Abiertos-un blanco, in collaboration with Leandro Torres + Centro Cultural Rojas + Hospital de Infectología Muñiz + Pablo Pérez, Marta Dillon, Diego Melero, Paco Maglio, Monica van Asperen, Victoria Barreda, Graciela Ciampini (www.experiencia2oficina.com.ar)

Anti –panóptico (essay for a cartography) “Arte y Conflicto”, Confecciones Brukman, actions in support to the recuperation Brukman Factory 1° de june del 2003. (Ramona N° 35)

Set: 10 questions to curators/cultural activist, flyers – intervention, Contemporáneo 7, Formas de Pensar, MALBA, Museo de Arte Latinoamericano Buenos Aires.

2002
Unfair Tale with Raimond Chaves, kiosco, pancartas, documentation and action, against the wedding between prince Wilheim Alexander and Maxima Zorreguieta, 02-02-02 Witte Plein, Amsterdam, Holland. (Ramona magazine N° 41)
2000-2002

Chat, interactives flyers, video, installation, in collaboration with several persons of Rotterdam city + Gert Rietveld + Jorge Haro + Pablo Pérez + Tamara Stuby + Mirta Demare + Duende Studios, Boijmans van Beuningen Museum Rotterdam.

2001
It´s a jungle out there, a guided tour, different locations from Grande Riviere, Trinidad, big River 2 International Workshop.

2000
Jueguito, interactive flyer, in collaboration with Gert Rietveld from Duende Studios, Rotterdam.

1999
Cacerolazo, performance, sticker- flyers to push the first big workers
demonstration during 48 hs., café Ramona, Buenos Aires.

1996

I change kitchenette towel, urban action in different districts from London. This towel was sculptural material for small British colonials houses.

1994
Vivir sin Paredes, performance + object + photo + interview, like part S/T, “la casa” project, curator: Ana Gallardo, Florida and Paraguay, Buenos Aires.

Herrero Propiedades (Inmobiliaria), houses- sale, intervention-installation, S/T, curator: Ana Gallardo, Loft Giesso, Buenos Aires,

1995
Pobre pero limpita, intervention, pub-discotheque Ave Porco, Buenos Aires.

1993
La Toma, inspirited in the personal experience with squoters centers from Italy. It proposed to create a space of meeting for artists, a autonomy platform, participating visual artists, musicians, actors, between us: Liliana Maresca, María Inés Aldaburu, Ana López, Omar Viola, Feliciano Centurión, Carmen Baliero, Orge, Luis Simbrotsky, Norberto Gómez, Fernando Bedoya, Diego Fontanet y muchos mas, Buenos Aires.

1992
Se come lo que se dice y se dice lo que se come, with Sara Rosemberg, peformance against the 500 years of America Discover, Parakultural, Buenos Aires

1991
Dando color al fruto, with Ana López, exhibitions, videos projections, musicians, performances, installations, poetry, participates: Talleres de la Beca Kuitka, Batato Barea, Coco Bedoya, Boy Olmi, Alfredo Casero, Feliciano Centurión, Las gamba al ajillo, etc. (30 artists), Parakultural, Buenos Aires.
El deseo es una frutilla madura, installation - performance, Dando color al fruto, basement, Parakultural, Buenos Aires.

1983
Carryall between another young artists the independent Asociación de artistas plásticos de Quilmes, and organized different exhibitions and events.

1982
Volanteada, No a la Guerra, distribution in public spaces flyers against Malvinas War, Rivadavia y Alvear, Quilmes
Tejido de volantes and performance, exhibition No a la guerra, distribution in art space fliyers against Malvinas War, Manzana de las Luces, Buenos Aires.

1981-82
Organized during one year Art Departament of Centro Cultural Banco Cooperativo Credicoop de Quilmes and collaborate with the writer and psychiatrist forensic Daniel Navarro in the Film programation Departament. Also organized shows and art public presentations against Malvinas War.

PUBLICATIONS

2011 Book of 3000 copies: Public Consideration, a Symposium in Three Acts
E.M.A.N.C.I.P.A.T.I.O.N. performative-talk, Auditorum of National Parliament, LiPac CCRRojas, Buenos Aires University, Buenos Aires
2011 Publication of 5000 posters and 5000 postcards of The Revolutionary Journey! , 8 Bienal del Mercosur, Porto Alegre
2011 Publication of 1000 posters and 1000 postcards of The Revolutionary Journey! , Informe País, GAM, Santiago de Chile.
2010 Publication of 1500 copies of LiPac Cierre projects- CCRRojas-UBA
2010 Publication of 1000 postcards of The Revolutionary Journey! , Documents For an Imperfect Future, Fondo Nacional de las Artes, Buenos Aires y El Parqueadero, Bogotá
2009 Limited published of “Capital Cultural”, Las Comisuras de La Boca, PROA, Buenos Aires
2007 Magazine in situ - The Paradigm Confines Tour-Ushuaia (edition # 6)
2006 Magazine in situ – Interferenecias en ArteBA-Buenos Aires (edition # 4) Puesta en escena: una aproximación a las instituciones-Montevideo (edition # 5)
2005 Magazine in situ-a live and a web magazine, (edition # 3) Backstage, location: Buenos Aires city port, with support from Estudio Abierto and Centro Cultural de España Buenos Aires www.magazineinsitu.com
2004 Magazine in situ- a live and a web magazine, edition # 1 y 2, Re-vista Espacios y Límites location: CCEBA – Centro Cultural de España Buenos Aires www.magazineinsitu.com
2003 Set: something questions to curators/ cultural activists, publication like flyer, distribute during the opening Contemporáneo 7, Formas de pensar, MALBA; Museo de Arte Latinoamericano Buenos Aires.
2002 Cuadernillos de Caligrafía 1, selfedition, Buenos Aires.
2000 Chat, edition 1000 interactive- flyers, Mirta Demare, Rotterdam.
1999 Cacerolazo sticker- flyers to push the first big workers demonstration during 48 hs, selfedition Buenos Aires.
1996 Repasador: la gran limpieza, publication: 25 años del golpe , Editor Fernando Bedoya, distribution in human right organizations, journals, libraries, books- shops, museums, Buenos Aires.
1995 Repasa-dor-champ, Andesground, Grafica alternativa IV editors: Juan Carlos Romero and Fernando Bedoya, Buenos Aires- Lima.
1990 jrajjjhhh… , “No - indult - No militar obedience– No end point ” editor Fernando Bedoya, distribution in human right organizations, journals, libraries, books- shops, museums, Buenos Aires.

COLLABORATIONS

2011
RECIBO Nª 88, magazine of 15.000 copies, with of Auctions Market & Money project, Sao Paulo, Brasil
2007
NBP Project by Ricardo Basbaum. Edition 6 Magazine in Situ: The Paradigm Confines Tour ( Video version)
Documenta 12 Kassel
f oco2 : cinto hip, Encuentro Regional de Arte, agosto/200 fac, fundación de arte contemporáneo, Montevideo
2006
Bazar, portable exhibition, # 21/Pulgar magazine, curator Gabriela Salgado, editor Luis Romero, Caracas, Venezuela
http://pulgar.multiply.com/photos/album/21/pulgar_21_fricciones_interculturales#1
Organized the presentation of Transnational Republik, where Georg Zoche presents a migration office, Goethe-Institut Buenos Aires.
2005
Live Intervention, Revista Ramona N° 50, ArteBA, Buenos Aires
Domestico, curation, "One-Hour", Berlín http://fotoperformancetrajes.blogspot.com/
Margarita y el hip hop, Canecalón magazine, # 4, año 2 #5 Buenos Aires
Ensayos, curation, Lateinamerikanischer Frauenverein, Berlín.
2004
Del bosque, images projection in occasion of the presentation disc: La estrategia de los árboles by Esteban Castell, Belleza y Felicidad, Buenos Aires.
2003
Un diario anual construido con frascos vacíos de medicamentos, perfumes y jabones, Experiencias1: Procesos Abiertos, Ramona magazine, Buenos Aires, junio 2004, n° 41, pp. 16-21.
2003
Fragments of anti-panóptico (essay turning round) are publication in: Ramona magazine, n° 35, pp. 16-18, Buenos Aires, October-November- 2003.
2002
Cacerolazo de artistas contra la princesa, Ramona magazine, Buenos Aires, March 2002, nº 21, pp. 57-58.
1993
Actions for the recuperation Alicia en las ciudades centro sociale recently occupy in Rome, actions with Fabiana Valgiusti for the recuperation Leonardo Da Vinci channel, Centros Sociales casa Gorizia, León Caballo, Milan.
El deseo es una frutilla madura, scenography of Patter dixi by Tomas Bernhard réggisser Pompeyo Audivert, Parakultural, Buenos Aires.
1992
Wardrobe curation opera El holandés errante, by Richard Wagner, réggisser Omar Viola. Wardrobe selected from National Opera: Teatro Colon, Parakultural, Buenos Aires.
1989
Pintores en Cabret, documental with Gerardo Silvaticci and Dani Lavigne, vídeo – colective production, on art workshops in Open Door, Psychiatry House, Jornadas Latinoamericanas de Arte en Neurosiquiátricos, Cemento discoteque, Buenos Aires
1989
Huella, land intervention, Grupo Escombros, La Ciudad del Arte, La Plata.
1982
Scenography assistent to Gaston Breyer theatral piece: La casita de mis viejos régisseur Agustín Alezzo, Teatro Abierto 82”, Cazal de Cataluña, Buenos Aires.

ALICIA HERRERO TEXTS

"Public Considerations - The word in action" introducción to the book Public Considerations, a Symposium in Thee Acts- Lipac-Rojas, UBA, Buenos Aires 2011
Index, text to the project Latinoamerican Library Capacete, catalogue, 32ª Panorama del Arte Brasilero, Museo de Arte Moderno, Sao Paulo, 2011
Index2, text to the project Latinoamerican Library Capacete, publication Capacete, Rio de Janeiro, 2011
Scrip Performer Action-Instruments Box, 2011
Art and self-alteration, Symposium: Challenges that the globalization raises in the visual arts , UNTREF National University of 3 of February, Buenos Aires 2008.
The Paradigm Confines Tour, (Magazine in Situ 6) on- line publication 2007
Complejos procesos de links, paper, Centro Cultual de España Montevideo, 2006
Backstage, edition # 3, Magazine in situ, 2005.
Abstrusa apariencia, Alicia Herrero Producciones Culturales presenta…texts on interventions, Centro Cultural de España Buenos Aires 2004.
Existencias, exhibition: "Ensayos" by Paola Sigal, Lateinamerikanischer Frauenverein, Berlín 2004.
Re-vista Espacios y límites, edition # 1 Magazine in situ, 2004.
Seminary Art Projects, statement, Centro Cultural Rojas, 2003
Diario de jornadas de Experiencias 1: Procesos Abiertos Hospital de Infectologia Muñiz, Ramona magazine, june 2004, n° 41, pp. 16-21.
Elipse, (spanish and germany), exhibition Alltag und Vergessen, NGBK – Neue Gesellschaft für Bildende Kunst Berlín and Rote Fabrik, Shedhalle, Zurich 2003.
Set: something questions to curators/cultural activists, flyers, MALBA, Museo de Arte Latinoamericano Buenos Aires, 2003. (pamplet)
Anti-panóptico- De-constructora de sistemas S.A, part of this text are publicate in: “Semana cultural en Brukman”, Ramona magazine, n° 35, pp. 16-18, Buenos Aires, October-November- 2003.
Brukman / Text-women / Art-Text, unpublished, 2003
Cacerolazo de artistas contra la princesa, Ramona magazine , Buenos Aires, march 2002, nº 21, pp. 57-58.
Unfair-Tale, print and net flyer was distributed and sent before the wedding between prince Wilheim Alexander and Maxima Zorreguieta, Rotterdam, Amsterdam, Holland.
Chat, small poster, editing: english and holland , Boijmans van Beauningen Museum, Rotterdam 2001-02.
Un paisaje hechizado, BarBAria 3, catalogue exhibition ICI, Instituto de Cooperación Iberoamericano Buenos Aires, pp.11-14, 1998.

TALKS AND SHOWCASES -selection-

2011 – Public Considerations and LiPac, conference at Programa: Pós-graduação em artes plásticas e contemporaneidade, Scola Guignard – Universidad do Estado de Minas Gerais - Organization: Capacete, Belo Horizonte, Brasil
2010 - LiPac, Lecture, Fase2-Utopías-Distopías-Atopías-Centro Cultural Recoleta, Buenos Aires
2010 - Alicia Herrero, Lecture, Múltiple Semminary, Esteban Álvarez course, IUNA, Fundación Telefónica, Buenos Aires
2009 - Art & Capital, Conferencia, Bienal de Bogota, Museo de Arte Moderno de Bogotá, Colombia
2009 – Conversazioni di Art & Capital, conferencia Spacio Gerra, Reggio Emilia, Italy
2009 - Suite Auction Drawings, Lecture en Seminario de Berta Sichel, Fundación Telefónica, Buenos Aires
2008 - Talk: Art and Self-alteration, National Institute University of Art , Buenos Aires, in the context of Esteban Alvarez course.
2008 - Conference: Art and self-alteration, Symposium: Challenges that the globalization raises in the visual arts, UNTREF National University of February Three, Buenos Aires 2008.
2007 - Lecture, Eindhoven Caucus, Be[com]ing Dutch, november/2007, Van Abbemuseum, Eindhoven
2007 - Archivos, october 23 /2007 panel organazed by Andrea Giunta, CeDIP - Centro de Documentación,
Investigación y Publicaciones Centro Cultural Recoleta, Buenos Aires
2006 - Complex process of links, 2# Jornadas universitarias de Creación y Nuevos Medios, Universidad de Palermo
Buenos Aires
2006 -The Agnostic and the Contemporary, Corbalán (m7red) – Herrero, Organized by Gabriela Forcadell, Aguirre
Buenos Aires
2006 - The Agnostic and the Contemporary, by Gabriela Forcadell, AK28, Stockhol, Sweden
2006 - Dialogic process: Magazine in Situ, 24/ october/ 2006, Centro Cultural de España, Montevideo, Uruguay
2006- Usos de una teoría de mano, Cultura y Media, Centro Cultural San Martín , Buenos Aires
2006- The School of Panamerican Unrest- Pablo Helguera-Fundación Star, Buenos Aires
2006- Coordinación charlas: Romano, López Lage, Ali-Brouchoud, Forcadell, Melero, Cippollini, Gache, Magazine in situ, ArteBA, Buenos Aires
2006 - Lecture RIAA, Fundación Telefónica, Buenos Aires
2006 - Lecture RIAA, Centro Cultural Rojas, Universidad de Buenos Aires
2005- Mi colección favorita, projects presented by Jorge Gumier Maier together with: Elba Bairon, Roberto Jacoby, Luis Lidner and Luis Benedit. Projectspresentation by León Ferrari, Transnacional Republic, Francis Alis, Lewis Lawler, Tiravanija, Raimond Chaves, Gustavo Romano, between others, Centro Cultural Rojas, Buenos Aires.
2005- Alice Ville, talk, Museo de Arte Contemporáneo, Rosario.
2004 - Chat 2000-2002, talk, Arte e interacción, presented by Graciela Taquini, with Mariano Sardón, Fundación Telefónica Buenos Aires.
2004 - Chat, presented by: Mercedes Pérez, Facultad de Artes Visuales, Historia del Arte, Universidad de La Plata.
2003 – Paper: Anti –panóptico (essays tourning round), “Arte y Conflicto” symposium, actions for recuperation Brukman Factory June 1° 2003, (Ramona magazine N° 35)
2002 - Lecture with Raimond Chaves and Gilda Mantilla, Kaus Australis, Rotterdam
2001 - Lecture proyectos Paisaje Hechizado and Romántico, en Big River 2, Trinidad
1996 - Des-informes, talk, presented by Adriana Lauría, toghether with: Marcelo Pacheco and Gachy Hasper, Protagonistas del Arte de Hoy, Primeras Jornadas de Historia y Teoría del siglo XX, Facultad de Filosofía y Letras, Universidad de Buenos Aires - UBA, Fundación Banco Patricios, Buenos Aires.
1995 - E-ti-que-tas-E-ti-cas, talk, presented by : Sebastián Zicarello, together with: Rosana Fuertes and Carolina Antoniadis “ Arte y postfeminismo “, Escuela de Bellas Artes Prilidiano Pueyrredón, Buenos Aires.
1995 – Last projects, ”El entorno femenino en las artes plásticas“, together with: Cristina Schiavi, Ana López, Mónica González, Marité Zaldivar, Fátima Martíni , Centro Cultural de Asunción, Asunción, Paraguay.
1995 – Bienal de La Habana 94, “La cultura Argentina en los 90”, with historian Hebe Clemente together with investigators from UBA, Instituto de Enseñanza Superior N° 1, “Alicia Moreau de Justo “, Buenos Aires.
1994 – Talk about V Bienal Internacional de La Habana, organized Jorge Gumier Maier, together with: Victor Grippo, Feliciano Centurión, el Búlgaro, Centro Cultural Ricardo Rojas, Buenos Aires.
1995 – Talk on Art and post-feminism, Juan Doffo Studio, Buenos Aires.

TEACHING AND WORKSHOPS -selection-

2011 - Art & Capital, workshop at Atelié 397 and Capacete, Sao Paulo, Brasil
2011 - Art & Capital, workshop at 8th Bienal do Mercosul, Porto Alegre, Brasil
2010 - LiPac, Semminaries and studio visit with: Minerva Cuevas, Ibon Aramberri and Margarita Paksa, Centro Cultural Rojas, Universidad de Buenos Aires
2010 - Art & Capital workshop at Cittadellarte (Artists International Residence), Pistoletto Foundation, Biella, Italy
2008 - liPac Laboratorio de Investigación en Prácticas Artísticas Contemporáneas (Centro Cultural Rojas - Universidad de Buenos Aires),
2007 - A Reading on Field and Practices, Workshop, Cycle: Intervalo de Confianza, Encuentro Regional de Arte
september/ 12 and 13/2007; Museo Nacional de Bellas Artes, Montevideo
2007- Seminary, Proyectos de arte: orientación y seguimiento, Centro Cultural Rojas, Universidad de Buenos aires (UBA).
2006- Clínica scholarships Centro Cultural Rojas – UBA, Universidad de Buenos Aires.
2006 - Contemporary Art & Context (workshop), Bienal del Fin del Mundo, Ushuaia
2006- Seminary, Proyectos de arte: orientación y seguimiento, Centro Cultural Rojas, Universidad de Buenos aires (UBA).
2006- Clínica, scholarships, Museo de Arte Contemporáneo Misiones.
2005- Seminary: Proyectos de arte: Orientación y seguimiento proyectos, El Rojas en el Rosa, Museo Rosa Galisteo de Santa Fe with collaboration of Centro Cultural Rojas, Universidad de Buenos Aires-UBA.
2005- Workshop: La vida cotidiana como laboratorio, Imola-Comba, Roberto Vanguardia studios, Rosario.
2005- Clínica de producción y análisis, Museo Damasco Arce and Centro Cultural Rojas, Universidad de Buenos Aires-UBA, Olavarría.
2005- Proyectos de arte: orientación y seguimiento, Centro Cultural Rojas, Universidad de Buenos aires (UBA).
2004 Proyectos de arte: orientación y seguimiento, Centro Cultural Rojas, Universidad de Buenos aires (UBA).
2003 Proyectos de arte: orientación y seguimiento, Centro Cultural Rojas, Universidad de Buenos aires (UBA).
2003 Análisis de obra- Clínica, Facultad Ciencias de la Administración, Concordia –Centro Cultural Rojas, Universidad de Buenos Aires (UBA).
2003 Pintura - Dibujo, Centro Cultural Ricardo Rojas, Universidad de Buenos aires (UBA).
2000 El Taller de pintura como laboratorio, Centro Cultural San Martín, Buenos Aires.
1998-1999 Dibujo - pintura, Centro Cultural Ricardo Rojas, Universidad de Buenos Aires (UBA)
1995 Seminary “Mujeres Artistas desde el renacimiento hasta hoy”, Escuela Superior de Bellas Artes, Ernesto de La Cárcova, Buenos Aires.
1990 Morfología, Escuela de Bellas Artes Prilidiano Pueyrredon (IUNA).

BIBLIOGRAPHY

Pablo Helguera, interview in the book: "Pedagogy in the expanded field" of the 8ª Bienal del Mercosur, publisher Pablo Helguera and Monica Hoff, Porto Alegre, 2011
Pablo Helguera, catalogue and publication guide of the 8ª Bienal del Mercosur, Porto Alegre, 2011
Teresa Riccardi, Excerpt from the article "The enacting of the public (from performativity to emancipation) in Alicia Herrero's PC ", in Practical test. Projects of genuine artists to communicate current art to the public, series of book of the Schoeppinger Forum für Kunstvermittlung, Germany, 2011
Teresa Riccardi, "The enacting of the public (from performativity to emancipation) in Alicia Herrero's PC ", in Public Considerations, a Symposium in Thee Acts- Lipac-Rojas, UBA, Buenos Aires 2011
María Fernanda Cartagena, "Speculationis", LatinArt.com, 2011
Ana María Quijano, "Mercosur Biennial 2011" gets rid of the show, Arte al día Magazine and Ámbito Financiero Newspaper, septiembre, 2011
Teresa Riccardi and Roberto Moreira (Traplev), RECIBO Nª 88, may / 2011 publication of "Auctions Market & Money" project, Sao Paulo, Brasil
Esteban Álvarez, "Documents for an Imperfect Future", catalogue, El Parqueadero, Colección Museo Banco de La República, Bogotá, 2011
Gabriela Schevach, The imperfect future of art at the Fondo Nacional de las Artes, Juanale, http://juanelear.com/reviews/569/, 2010
Esteban Álvarez, Documents for an Imperfect Future, catalogue, Fondo Nacional de las Artes, Buenos Aires, 2010
Abel Konya, Fake, catalogue Paticion2.0 , NTERMODEM 2nd International Intermedia Modem Center of Modern and Contemporary Art, Debrecen, 2010
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Teresa Riccardi, First edition the End of the World Biennial, LatinArte, 2007
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Ana María Battistozzi, “Otras realidades son posibles”, Suplemento Ñ, Newspaper Clarín, 7 de abril 2007.
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Francisco Ali-Brouchoud, catalogue “Here and Now” – Museo de Arte Contemporáneo de la Universidad Nacional de Misiones, 2006
Ana Tiscornia and Patricia Betancour, catalogue of the exhibition "La problemática de género en la producción iberoamericana contemporánea", Centro Cultural de España Montevideo, Setember-December 2005.
Belén Gache, catalogue “Alice Ville”, MACRO - Museo de Arte Contemporáneo, Rosario, August 2005.
Claudia Laudanno, "Complejidad Inventiva del espacio en la obra de Alicia Herrero", interview, Cultura, Diario Rosario 12, August 23, 2005, p 6.
E. Lewis, "Alicia Herrero y una obra donde el público..." Diario La Capital, August 14 2005, pp. 13.
Marcela Römer, “Alice Ville: una forma de vivir el arte”, Rosariarte www.rosariarte.com.ar, setiembre 2005.
Roberto Jacoby, “El proceso de la obra es una fluctuación real-ficcional”, interview, Poéticas, Ramona magazine N° 50, 2005.
Jorge Gumier Maier, “Curadores”, interview, book, Centro Cultural Rojas - editorial, Universidad de Buenos Aires, 2005.
Elena Oliveras, “La estética y sus cuestiones”, book, Planeta editorial, 2005.
Ana María Battistozi, “Elogio de lo pequeño”, Suplemento Ñ, 20-11-04.
Fabian Lebenglik, “Los reducidores”, Plástica, Diario Pagina 12, November 16, 2004.
Santiago Rial Húngaro, “El secreto y las voces”, Diario Pagina 12, Suplemento Radar, 18-05-04.
Ana María Battistozi, “¿y donde esta el artista?”, Suplemento Ñ, 5- 6-04
Santiago Rial Húngaro, “Operación perturbar”, Diario Pagina 12, Suplemento Radar, 7-12-03.
Barbara Basting, “Immer noch: Cry for Argentina”, Tagesanzeigh, 09-09-03.
Timo Berger, Alltag und Vergessen –Argintinien 1976/2003, Ramona magazine, pp.74-76, # 34, Setiember 2003.
Harald Fricke, “Sieg für Arbeiter,….”, Die tageszeitung, 17-03-03.
Alexander Kluy, “Bis heute ungeklärt”, Berliner Morgenpost, 9-4-03.
Michel Nungesser, “Der Tagesspiegel”, Blutige Jahre, 14-4-03.
Donata Droge, “Alltag und Vergessen”, ila 264, 03-04-03.
Timo Berger, “Störfeur”, Junge Welt, 15-03-03.
Martien Conrads, “Verlorene Utopien”, Zilty, 08-03-03.
Andrea Giunta, catalogue exhibition “Alltag und Vergessen”, NGBK, Neue Gesellschaft für Bildende Kunst Berlín and Rote Fabrik, Shedhalle, Zurich, 2003.
Fabian Lebenglik, “La retina contra la rutina”, Diario Pagina 12, Plástica,10-11-02.
Ana Maria Battistozzi, “Alicia Herrero”, Revista Arte y Parte, Madrid, December 2002.
Graciela Taquini, catalogue “Trampas y simulacros”, Centro Cultural de Montevideo, May 2002.
Christian Ferrer, catalogue “herrerías”, Luisa Pedrouzo, December 2002.
Marta Dillon, “Arqueología del Recipiente”, PP. 12, 29-03-02.
Henny de Lange, “ Tranen veranderen in projectielen” Trouw, Rotterdam, January 23, 2002.
Sandra Smets, “De essentie van film in één statisch beeld”, Cultuur, Rotterdams Dagblad, Rótterdam, February 5 2002.
Big River 2, catalogue CCA – Contemporary Centre Art Port Spain.
Elena Oliveras, “Ambiguous Objects in Argentine Art of the 90’s, ArtNexus”, 01-01-02
Jorge López Anaya, “Crecer a pesar del ajuste”, Diario La Nación, October 16 de 2001.
Arte de los 90, book, Fondo Nacional de las Artes editorial, 2001.
Elena Oliveras, “La levedad del límite”, book, Fundación Pettoruti editorial, , October 2000.
Emile Hilgers "Kunstenares zoekt keukengerei...", Donderdag, Rotterdam 03-02-02.
AB,” Der Argentinische, Oh’’-Faktor “,Kultur Joker, mayo-junio 1999.
Eva Keller, “ Ironic auf Vasen, Kunst im Rahmen”, Der Sonntag, 30-5-99.
Ulrike Prasch, “ Alles ist möglich “,Kultur, 21-5-99.
Gerahard Rump, “ Auf dem Weg zur neuen Dekoration”, Die Welt, 30-4-99.
Jiri Hezky, “ Kunstmesse Francfort”, Kolner, Stadt-anzeiger 24-4-99.
Jorge López Anaya, “Especial Arte 2”, La Nación magazine, 31-10-99, p.17
Rodrigo Alonso catalogue “Trans-liminares” , Fondo Nacional de las Artes, 1999.
Catalogue Premio Fortabat, Museo Nacional de Bellas Artes, 1999.
Emilio Urrity “La gran obra de arte “, Diario Del fin del mundo, Ushuaia.
Catálogo : El Rojas en Patagonia, Museo Marítimo de Ushuaia, 1999, UBA.
Catalogo: Bienal de Arte contemporáneo, Museo de Bahía Blanca, 1999.
Viviana Usubiaga, “...en síntesis...”, Espacio Giesso magazine, Buenos Aires, march - april 1999
Santiago García Navarro, “Espacio Giesso” , Diario La Nación, 16-4-99,
Santiago García Navarro, “ Balance de PROA , “Diario La Nación, 7-1-99.
Catálogue, Balance ´98, Fundación PROA, 1999.
Jorge López Anaya, “Balance con Ganancias “, Diario La Nación, 27-12-98
Leo Chiachio y Gabriela Francote, “ Los 90 en fuga” interview, Espacio Giesso magazine, november 1998.
Elena Oliveras , “Alicia Herrero”, Art Nexus magazine, N° 28, june1998.
Laura Bartkis, “Artistas contra los costos de catálogo”
Diario Perfil, 17-5-98
Santiago García Navarro, “Una riesgosa manipulación “
Diario La Nación, 7-5-98Eva Gristein, “Alicia Herrero, una colección desquiciada “
Diario El Cronista Comercial, 13-5-98
María Moreno, “Hay humo en tus ojos “, Diario Pagina 12, 17-5-98, Suplemento Radar.
Marta Dillon, “Viaje Herrero “, Barbaria magazine, ICI, mayo 1998.
Laura Batkis, “Alicia Herrero” Lápiz magazine, N° 136, October 1997.
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Jorge López Anaya, “Un tesoro en la alacena de la cocina”
Diario La Nación, 11-10-97
Ana María Battistozzi, “...Y objetos sin valor “, Diario Clarín 19-10-97.
Elena Oliveras, “La colección paródica de Alicia Herrero “, catalogue “15 artistas-15 críticos “, Praxis, Buenos Aires, 1997.
Santiago García Navarro, “Alicia Herrero”, Diario La Nación, Suplemento Vía Libre, 30-10-97
Eva Gristein, “Un trío de buenos artistas “, Diario El Cronista Comercial, 3-9-97
Victoria Verlichak, “Alicia Herrero”, D Y D magazine, november 1997.
Corinne Sacco Abadi. “Ecuador, México, Argentina, señales presentes “, Artinf magazine, Summer 1997.
Inés Katzestein, “En tránsito: una exposición de arte conceptual”, El Cronista, Buenos Aires, September 5 1996.
Andrea Giunta. Catalogue, “en tránsito: señales presentes “, Museo del Chopo, México y Fundación Banco Patricios, Buenos Aires.
Merry Mac Masters, “Segunda etapa de intercambio México-Argentina” Diario La Jornada (México), 10-1-97
Estela Alcántara, “En tránsito, señales presentes confronta artistas mexicanos y argentinos”, Diario Gaceta (México), 16-1-97
Diario Reforma, “Señales de artistas argentinos y mexicanos “, Suplemento Cultural, 10-1-97.
Fabián Lebenglick, “Los cínicos y los críticos” Diario Página 12, 10-9-96
Laura Feinsilver. “México y la Argentina por un arte crítico” Diario Ambito Financiero, 7-9-96
Silvia Ambrosini, “Argentina México “ Artinf magazine, spring 1996.
Inés Katzestein , “ En tránsito: una exposición de arte conceptual “ El Cronista Comercial, 5-9-96
Inés Katzestein, interview “Lo culinario del arte“ Artinf magazine autumn 1995.
Jim Levine, “Kvinnorna Komer starkt” magazine Konsttidningen, junio 1996, nº 3, p.7
Feliciano Centurión, catalogue “ Herrero López Schiavi “,
Centro Cultural de la Ciudad y Pequeña Galería, Asunción del Paraguay, 1995.
Elena Oliveras, “La diferencia femenina “, Los lunes de la crítica, Fundación Klemm, Instituto de Estética de Madrid and Museo Nacional de Bellas Artes, 1995 – 96.
Hernán Ameijeiras, “Actualmente todo termina siendo domesticado”, interview, La Maga magazine, 9-11-94
Fabián Lebenglik,”El calor del hogar “ Diario Página 12, 8-11-94
Fabián Lebenglik, “El calor del hogar”, catalogue “ Violaciones Domésticas “, Espacio Giesso, Buenos Aires, 1994.
Inés Katzestein, “La Bienal de La Habana”, La Maga magazine, Buenos Aires, april 6, 1994
Hernán Ameijeiras, “18 artistas argentinos...”
La Maga magazine, 22-12-93
Andrea Giunta, “La mirada femenina y el discurso de la diferencia”
Symposium Latinoamericana de Estética y Crítica, 5-11-93
Andrea Giunta, “La mirada femenina y el discurso de la diferencia”
Catalogue V Bienal de La Habana, 1994
Julio Sánchez, “Alicia Herrero de lo lúbrico a lo beatífico”, catálogo Clásica y Moderna, marzo 1993.
Hernán Ameijeiras, “Herrero en el Uruguay “,La Maga magazine, 17-2-93
Fabián Lebenglik, “Como prolongar cabeza y manos”, Diario Página 12, octubre 1992.
Jorge Glusberg, “Expone la generación joven”, Diario Ambito Financiero, 1-9-92
Carlos Spartaco, “El licor de la letra “, catálogue Espacio Giesso, april 1992
Jorge López Anaya, “Metáforas de placer “, Diario La Nación, 2-5-92
Fabián Lebenglik, “Nuevas imágenes...”, Diario Página 12, Marzo 1992
Albino Dieguez Videla , “ Magníficos cambios de Alicia Herrero “, Diario La Prensa, 9-6-91
Fabián Lebenglik, “Herrero Poética “, Diario Página 12, 4-6-91.