ALICIA HERRERO
Lives and works in Buenos Aires
Biography

EDUCATION
RESIDENCIES, GRANTS
INDIVIDUAL EXHIBITIONS
GROUP EXHIBITIONS
PROJECTS
PUBLICATIONS
COLLABORATIONS
TEXTS BY ALICIA HERRERO
TALKS AND SHOWCASES
WORKSHOPS AND LABORATORIES
BIBLIOGRAPHY

EDUCATION
 

1983-87
She studied Arts at National University Institute of Art (Instituto Universitario Nacional de Arte - IUNA) Buenos Aires.

RESIDENCIES, GRANTS, MEETINGS, SYMPOSIUMS (*indicates publication)

2013 SITAC XI - Education Platform: Campo de Pruebas, (Simposio Internacional de Teoría sobre Arte Contemporáneo),México DF*
2012 National Grant for Group Projects 2013, Fondo Nacional de las Artes, Argentina
2011 Capacete, Rio de Janeiro (International Artist Residency)
2010 Making a Living, The Showroom, London (International Meeting)
2009 Project at the Opera Theatre of Cartagena de Indias, residency of Confluencias-X Art Biennial of Bogotá *
2008 Challenges of Globalization in Visual Arts; international symposium, UNTREF-National University of Tres de Febrero, Buenos Aires*
2007 Be (com)ing Dutch - Caucus, Van Abbemuseum, Eindhoven (International Meeting)
2007 Regional Meeting of Art, Visual Art Museum, Montevideo
2006 RIAA, Ostende * (International Artist Residency)
2002 Kaus Australis, Rotterdam (International Artist Residency)
2001 Big River 2, CCA, Port Spain* (International Artist Residency)
2000 Studios Duende, Rotterdam (International Artist Residency)
1997 National Grant, Fondo Nacional de las Artes, Argentina
1997/6 Grant Fundación Antorchas, Taller de Barracas, Argentina

SELECTED INDIVIDUAL EXHIBITIONS

2012 Museo de la Economía Política del Arte [Museum of the Political Economy of Art], 11x7 Gallery, Buenos Aires
2012 Action-Instruments Box, Arco Solo Project, Mirta Demare International Visual Art, Madrid*
2009 Art&Capital [Conversazioni, Suite Auction Drawings, Errata], dispari&dispari project, Reggio Emilia
2009 Archeology, Laws and Contract, Art and Political cabinet, Arcimboldo Gallery
2008 Topologies, Mirta Demare International Visual Art, Rotterdam
2006 Conversations in Alice-Ville, MAC-UNaM Museum of Contemporary Art – National University of Misiones *
2005 Alice-Ville, MACRO, Contemporary Art Museum of Rosario, Argentina*
2002/3 Herrerías, Luisa Pedrouzo Gallery, Buenos Aires*
2002 Film, Mirta Demare International Visual Art, Rotterdam* 
1998 Enchanted Landscape, ICI, Cultural Iberoamerican Institut, Buenos Aires*
1997 My Booty, Cultural Center Ricardo Rojas, Buenos Aires
1997 Romantic, Patricios Bank Foundation, Buenos Aires*
1995 Violaciones domésticas, Giesso Space, Buenos Aires*
1992 Alicia Herrero, Giesso Space, Buenos Aires*
1991 Alicia Herrero, Recoleta Cultural Center, Buenos Aires*
1986 Alicia Herrero, Hilda Solano Gallery, Buenos Aires.*

SELECTED GROUP EXHIBITIONS AND PROJECTS (*indicates publication)

2014
It’s the Political Economy, Stupid, exhibition Galerija Nova March 12/May 03/2014 Zagreb, Croatia
2013
The Crisis and alternatives, It’s the Political Economy, Stupid, Center for Cultural Decontamination in Belgrade organized by Rosa Luxemburg Foundation (South Eastern Europe branch), exhibition, Curators Oliver Ressler and Gregory Sholette*
Ea (Energía de activación) - MAC-UNaM, exhibition Curator Francisco Ali Brouchoud, Museo Provincial "Juan Yaparí", Posadas
It’s the Political Economy, Stupid, exhibition, Curators Oliver Ressler and Gregory Sholette, Gallery 400/Univ. of Illinois
Chicago
*
Ea (Energía de activación) - MAC-UNaM, exhibition, Curator Francisco Ali Brouchoud, Fondo Nacional de las Artes, Buenos Aires
Arte & Capital, performative-talk, Curator Lorena Peña Brito, MURA, Guadalajara, México
It’s the Political Economy, Stupid, Pori Art Museum, Finland, Curators Oliver Ressler and Gregory Sholette*
El Andar Oblicuo (Olique Walking), exhibition - Curator Karina Granieri, Centro Cultural Arnaldo Conti (ex concentration camp), Buenos Aires
4 Artists and 11 Questions to Marta Minujin, 11 x 7 Gallery, Buenos Aires
Fotocopia Europea (European Photocopy Festival), Reggio Emilia*
Some Artists, Proa Foundation, Buenos Aires*
Orgión Berlin, exhibition, Oficina Proyectista - Kotti-Shop, Berlin
MasterPlan projects and artists in residence, Report - Live Interview - Dramaturgy - Activism - Films - Performative-Talk
LiPac-Laboratory of Investigation into Contemporary Art Practices (coordination/oganization/concept), Mondriaan Fonds. Centro Cultural Ricardo Rojas, Universidad de Buenos Aires
ArtLima, Action- Instruments Box, Mirta Demare International Visual Art, Lima
ArteBA, 11 x 7 Gallery, Buenos Aires
Pinta London, Mirta Demare International Visual Art, London

2012
It’s the Political Economy, Stupid, Curators Oliver Ressler and Gregory Sholette, Austrian Cultural Forum New York*
It’s the Political Economy, Stupid, Centre of Contemporary Art en Thessaloniki curators Oliver Ressler and Gregory Sholette, Coordinators Areti Leopoulou, Theodore Markoglou*.
“L’étincelle qui met feu à la plaine”. Othe visible things, Curator Mabel Tapia, Centro Ecuatoriano de Arte Contemporáneo - CEAC, Quito
New Acquisitions Action-Instruments Box, Malba - Latin American Art Museum of Buenos Aires *
10th Anniversary celebration, Action-Instruments Box, Demare International Visual Art, Rotterdam
Auctions, Market & Money series, Demare International Visual Art, ArteBA, Buenos Aires
Orgión, Oficina Proyectista, Buenos Aires
MasterPlan, Grant of Laboratory of Investigation in Contemporary Artistic Practices, CCRRojas-University of Buenos Aires and Mondriaan Fonds
Public Consideration, a Symposium in Three Acts, book presentation at: Eyebeam - Art + Technology Center, New York; Medialab Prado, El Ranchito-Matadero, Traficantes de Sueños, Madrid; Centro Cultural Rojas and La Dársena, Buenos Aires

2011
8th Mercosul Biennial, Curator Ignacio Roca, Porto Alegre, Brasil*
Documents for an Imperfect Future, Curator Esteban Alvarez, El Paqueadero, Bogota, Colombia*
Informe País (Report Country), GAM, Gabriela Mistral Center, Santiago de Chile*
Auctions, Market & Money, ArteBA, Mirta Demare International Visual Art, Buenos Aires
Public Considerations, a Symposium in Three Acts, Act III: E.M.A.N.C.I.P.A.T.I.O.N. performative-talk at auditorium of Argentinean Parliament, Congreso Nacional, Buenos Aires, June 21 /2011*
X200 MÁS, Centro Cultural Recoleta, Buenos Aires*
Culture Secretary, public action at several locations in Buenos Aires City, Plaza de Mayo, Buenos Aires*

2010
Guest of Honor Argentina 2010, Frankfurt book fair, Errata Book, Frankfurt*
Fake, Partició_2.0,Modem Center of Modern and Contemporary Art, Debrecen, Hungry*
Documents for an Imperfect Future, Fondo Nacional de las Artes, Buenos Aires*
Public Consideration, a Symposium in Three Acts, Act II: Bank: Art & Economies, performative-talk at the auditorium of Banco Nacional Argentino (Argentinean central office of the National Bank), November 9/2010* 
Same/Different, Culture Secretary, ECUNHI, ex ESMA, Buenos Aires
Flows! (Capital Flows!), Magazine in Situ, edition#7, London
Actions of Suite Auction Drawings at Sotheby's and Christie's, London
Resumen: Aparato Reproductor, exhibition, Radio FM La Tribu, Buenos Aires 
Auctions, Market and Money, ArteBA, Mirta Demare International Visual Art, Buenos Aires 
Device Player, FM Radio La tribu, Curator Sofi Sagle, Cultural Center Ricardo Rojas - University of Buenos Aires - UBA 
LiPac, with Minerva Cuevas, Ibon Aramberri, Margarita Paksa and other participants. Laboratory of Investigation in Contemporary Artistic Practices, Cultural Center Ricardo Rojas- University of Buenos Aires - UBA*
Aparato Reproductor, exhibition, Cultural Center Ricardo Rojas Gallery, Buenos Aires
Public Consideration, a Symposium in Three Acts - Act I: Art and Knowledge, Re-localization, tables works, performative-talk in the auditorium of Cultural Center Ricardo Rojas-University of Buenos Aires - UBA, August 11/2010*
Pinta, Miirta Demare International Visual Art, London
Event presentation of the publication: LiPac 2010 projects, Flight-Sites-Politics, Centro Cultural Rojas, University of Buenos Aires*
Conversartions-Art & Capital project, performative-workshop, Cittadellarte (International Artist Residency), Pistoletto Fondazione, Italy

2009
Art Biennial of Bogota, Museum of Modern Art, Bogotá, Colombia*
Suite Auctions Drawings, Arco09, Mirta Demare International Visual Art, Madrid, España
The Commissures of La Boca, Proa Foundation, Buenos Aires
20 Years of Visual Arts, Curator Valeria Gonzalez, Cultural Center of Ricardo Rojas and Cultural Center of España, Buenos Aires*
Actions of Suite Auctions Drawings at Sotheby's and Christie's, London and Milan 
Flows! (Capital Flows!), Magazine in Situ, edition#7, in collaboration with Rana Hamadeh, Tony Chakar (The Atlas Group member), Bar Time Out - Monot - Beirut* 
Minigarden at contemporary art Gallery, Curator Silvia Litardi, collective intervention, Dispari & Dispari gallery, Reggio Emilia, Italy
Flows! (Capital Flows!), Magazine in Situ, edition#7, in collaboration with Collettivo Sottotetto, Reggio Emilia, Italy
Just Steps from La Rural, Curator Cristina Schiavi and Juan Tessi, Mac Morgan Pérez gallery, Buenos Aires
Flows! (Capital Flows!), Magazine in Situ, edition#7, in collaboration with Miren Jaio, Asier Mendizabal, Gabriel Villota Toyos, Oier Etxeberria, María Mur and other participants, Anti space and Bar Marzana, Bilbao* 
Culture Secretary, public actionat at several locations in Buenos Aires City, Buenos Aires*
Festival VHS/Video, Menu a la Carte, Studio Augusto Zanella, Buenos Aires
Mi Ranchito, Cristina Schiavi and Juan Tessi, Mark Morgan Pérez garage, Buenos Aires 
LiPac, with Marta Minujin, Joop van Lieshout, Raimond Chaves, Lara Almarcegui, and other participants. Laboratory of Investigation in Contemporary Artistic Practices, Cultural Center Ricardo Rojas- University of Buenos Aires - UBA
Suite Auction Drawings, Mirta Demare Gallery, Arco09, Madrid *

2008
Be(com)ing Dutch - Curators : Charles Esche and Annie Fletcher, Van Abbe Museum, Eindhoven*
Intermodem, Curator Ábel Konya, Modem Center of Modern and Contemporary Art Debrecen, Hungary* 
Flows! (Capital Flows!), Magazine in situ, edition #7, in collaboration with Karina Granieri, Katharina Schlieben and Narda Alvarado, Sao Paulo*
Two public actions of Suite Auctions Drawings at Sotheby´s and Christie´s, London 
Artist´s Books, Archimboldo Gallery, ET Art Fair, Buenos Aires 
Flows! (Capital Flows!), Magazine in situ, edition #7, in collaboration with Daniela Swarovsky and Lara Almarcegui, Rotterdam*
LiPac, with Dora García, Nina Möntmann, Katherine David, Fran Ilich, Alejandro Grimson, Jorge Macchi, Gustavo Romano, and other participants. Laboratory of Investigation in Contemporary Artistic Practices, Cultural Center Ricardo Rojas- University of Buenos Aires - UBA 
Flows! (Capital Flows!), Magazine in situ, edition #7, in collaboration with María Fernanda Cartagena, Paco Salazar , Ulises Unda, Bar of Contemporary Art Center, Quito*
Flows! (Capital Flows!), Magazine in situ, edition #7, in collaboration with Nina Möntmann and Teresa Riccardi, Bar La Carcova, Buenos Aires*

2007
Rethinking Dissent, Goteborg International Biennial, Goteborg, Sweden*
Biennial The End of the World, Ushuaia Biennial*
Toronto Fair Art, Lilian Rodriguez Gallery, Toronto, Canada 
Intermodem, Intermedia Festival and exhibition, Curator Ábel Konya, Debrecen, Hungary* 
La casona en el Recoleta, Curator Marcelo de la Fuente, Cultural Center Recoleta, Buenos Aires 
Video Arte Club, curator Cristian Segura, Florencia Loewenthal Gallery, Santiago de Chile 
Resplandores, Curator Rodrigo Alonso y Graciela Taquini, Cultural Center Recoleta, Buenos Aires 
a.i.r. (Actions, Investigations, Re-reading), Curator Gustavo Romano, CCEBA - Cultural Center of Spain in Montevideo*
Let’s Dance, video program by Marcio Harum, Filmvorführung, Frankfurter Kunstverein, Frankfurt 
a.i.r. (Actions, Investigations, Re-readings), Curator Gustavo Romano, CCEBA - Cultural Center of Spain in Buenos Aires and Córdoba 
The Paradigm Confines Tour, Magazine in Situ, edition #6, The End of the World Biennial, in collaboration with : Ricardo Basbaum, Jaime Iregui, Miren Jaio, Bill Burns, Francisco Ali- Brouchoud, Carla Zacagnini, Ushuaia* 
The Paradigm Confines Tour, Video version, NBP project by Ricardo Basbaum, Documenta 12 Kassel Nodos project, ArteBA, Buenos Aires*

2006
Living, Magazine in situ, Culture & Media, Curator Graciela Taquini, Cultural Center San Martín, Buenos Aires 
05982:01, Magazine in situ, Curator Fernando Lopez Lage, FAC, Contemporary Art Foundation, Montevideo.
Mise en scène: an approach to the institutions, Magazine in Situ, edition #5 in collaboration with Alejandro Cesarco, FAC, Contemporary Art Foundation, Montevideo.
Perform_ipa, Museu Cruz e Sousa, Universidade do Estado de Santa Catarina, Florianopolis, Brazil
MACRO Collection, Curator Fernando Fariña, Museum of Contemporary Art, Rosario, Recoleta Cultural Center, Buenos Aires
Interferences at ArteBA, Magazine in situ, ArteBa edition #4, in collaboration with, Fernando Lopez Lage, Gustavo Romano, Francis Alÿs, Belén Gache, Buenos Aires
Fiction, microcinema Viejo Hotel Ostende, Abierto RIAA, International Artist Residency in Argentina, Ostende.*
Collectives of Buenos Aires, exhibition, Vassari Gallery, Buenos Aires

2005 
Art Frankfurt, Ruta Correa Gallery, Frankfort*
Paperworks, Mirta Demare International Visual Art, Rotterdam
The problematic of gender in contemporary Latin American production, Curators: Ana Tiscornia and Patricia Betancour, Cultural Center of España, Montevideo *
Art Week, MACRO, Museo de Arte Contemporáneo, Curator Fernando Fariña, Rosario
Implícito-explicito, Curator Graciela Taquini, El Borde Gallery, Buenos Aires
Re-reading of the MAMBA Collection, Curator Laura Buccellato MAMBA, Museum of Modern Art, Buenos Aires*
Asunción del video, Curator Graciela Taquini, Argentina Embassy, Asunción, Paraguay
Alón Collection, Alón Foundation, Buenos Aires
Certamen Iberoamericano de Pintura 2005, CAIC, Borges Cultural Center, Buenos Aires*
Periférica, Alertart, Curator Marcela Rommër, Borges Cultural Center, Buenos Aires
Visual Art Prix, OSDE Foundation, Buenos Aires
Bola de Nieve, Galería virtual, Start Foundation, www.boladenieve.org

2004 
Reduced Model, Curator Horacio Zabala, Cultural Center of Spain, Buenos Aires*
Asunción del video, Curator Graciela Taquini, Cultural Center of Spain, Asunción, Paraguay
Hábitos, Curator Mónica van Asperen, Estudio Abierto, (Palacio Barolo) Ciudad Autónoma de Buenos Aires*
The Secret, micro-space 1, Curator Belén Gache, display-window intervention, Spain Centro Cultural en Buenos Aires*
Zoom project, Curators: Graciela Taquíni, Gaston Duprat, Mariano Kohn, video, 5” for television, Ciudad Abierta Channel, Culture Secretary of Buenos Aires city.
Limb0 Prix, Curator Laura Buccellato, MAMBA – Museum of Modern Art, Buenos Aires*

2003 
Alltag und Vergessen, video-installation, Curator Andreas Fanizadeh and Eva Meier, NGBK, Neue Gesellschaft für Bildende Kunst Berlín and Rothe Fabrik, Shedhalle, Zurich*
Drawing´s Biennial 2003, Curator Marcelo de la Fuente, Casona de los Olivera, Buenos Aires*
Al plato, Curator Liliana Piñeiro, Recoleta Cultural Center, Buenos Aires
Artists from the ‘90, National Fund of Art, Arte BA, Buenos Aires 
Contemporary Biennial of Bahía Blanca, Curator Andres Duprat, Contemporary Art Museum, Bahía Blanca, Argentina.*
Trap and Simulation, Curator Graciela Taquini, Victoria Ocampo Cultural Center, Mar del Plata, Argentina*

2002 
Chat, Meeting places, Curator Cris Dercon, Boijmans van Beauningen Museum Rotterdam.*
Bairon-Herrero-Van Aspen, Mendes Contemporary Art Center, Rio de Janeiro.
Art Electronic Cycle, Curator Laura Buccellato, MAMBA – Museum of Modern Art, Buenos Aires.
Video Emergency, Curator Graciela Taquini, Mopt Contemporary Art Center , Mar del Plata, Fine Art Museum, Mendoza.
Last Tendencies, Curator Laura Buccellato, MAMBA – Museum of Modern Art, Buenos Aires.*
Trap and Simulation, Curator Graciela Taquini Tabella, Subte, Cultural Center, Montevideo.*
Arco02, Luisa Pedrouzo Gallery and Mirta Demare International Visual Art, Madrid.*
The Toys of Icaro, Curator Lilian Llanes, Centro Wilfredo Lam and Comunita Valencia, Cultural Center Recoleta, Buenos Aires.*
Into Back-Stage, Ruta Correa Gallery, Frieburg, Germany.*
Film, Mirta Demare International Visual Art, Rotterdam.*
Unfair Tale project, with Raimond Chaves, Witte Plein, Amsterdam 02-02-02
ICI Patrimony, Cultural Center of Spain, Buenos Aires*. 
The ground assault, Curator Ana María Battistozzi, Estudio Abierto, Casa de la Cultura, Buenos Aires.*

2001
Chat, Meeting Places, Curator Cris Dercon, Boijmans van Beuningen Museum Rotterdam.*
Inventory - It's a Jungle Out There, CCA - Contemporary Centre Art, Trinidad.*
Expo-inagural 1, Luisa Pedrouzo Gallery, Buenos Aires.*
Bienal de Arte Contemporáneo, Museo de Arte Contemporáneo de Bahía Blanca.*
Arco, Feria Internacional de Arte Contemporáneo, Mirta Demare International Visual Art, Madrid.

2000
Szene Buenos Aires, Dotternwerk Museum, Dottenhausen.*
Herrero, Duende International Program, Rotterdam.

1999 
Szene Buenos Aires, Ruta Correa, Freiburg.*
Szene Buenos Aires, Art Frankfurt.*
Premio Fortabat de Pintura, Museo Nacional de Bellas Artes, Buenos Aires. *
Bienal Nacional de Arte, Museo de Arte Contemporáneo, Bahía Blanca.*
Colección Dr. Gustavo Bruzzone, Arte de los 90, Centro Cultural Ricardo Rojas, Buenos Aires.
Transliminares, Fondo Nacional de las Artes, Buenos Aires.*
Centro Cultural Rojas en la Patagonia, en Museo Universidad de la Patagonia, Ushuaia.*
"en síntesis”, Espacio Giesso-Reich, Buenos Aires.

1998 
Balance’ 98, Fundación PROA, Buenos Aires.*
Homenaje Niní Marshal, Fundación Banco Patricios, Buenos Aires.

1997
[en tránsito] Señales Presentes, Museo del Chopo, México.* 
Homenaje a Ana Frank, Museo de Arte Contemporáneo, Bahía Blanca.*
200 x 200, Centro Cultural Recoleta, Buenos Aires.
Premio Fortabat, Museo Nacional de Bellas Artes, Buenos Aires.*
Premio Gunther, Museo Nacional de Bellas Artes, Buenos Aires.
Premio Novartis, Museo Nacional de Bellas Artes, Buenos Aires.*

1995 
Violaciones domesticas, Herrero-López-Schiavi, Centro Cultural de Asunción, Paraguay.*
Libro de Artista, Centro Wilfredo Lam, La Habana.
Premio Fortabat, Centro Cultural Recoleta, Buenos Aires.*
Galería Parafernalia, Lima.
Libro de Artista, Bookstore, Buenos Aires.
Pobre pero limpita, pub-discotheque Ave Porco, Buenos Aires.

1994
Vivir sin Paredes, S/T curator Ana Gallardo, public space: Florida y Paraguay, Buenos Aires.
Herrero Propiedades (Inmobiliaria), S/T, curator Ana Gallardo, Loft Giesso, Buenos Aires.
Violaciones domesticas, Herrero-López-Schiavi, Espacio Giesso, Buenos Aires.*
V Bienal de La Habana.*
Premio Klemm, Centro Cultural Recoleta, Buenos Aires. *
99 Cajas, Galería Filo, Buenos Aires

1993
Erotizarte, Centro Cultural Recoleta, Buenos Aires.
Museo Bastión del Carmen, Hilda Solano, Colonia.

1991
Dando color al fruto, co-organizado con Ana Lopéz, Parakultural, Buenos Aires.*
Premios: Fortabat*, Gunther, Blades, Hoechst, La discriminación, Centro Cultural Recoleta and CAIC, Harrod's en el Arte, Buenos Aires.
FABA, Feria de Arte de Buenos Aires, Álvaro Castagnino gallery, Buenos Aires.
Inform Art, Pueblo Blanco, Punta del Este.

1990 
Genero Femenino, Profesión Artista Plástica, Museo de Arte Moderno, Buenos Aires.*
Bienal M. Chandon, Museo Provincial de Bellas Artes de Mendoza, de Salta, de San Juan, Santa Fe and Municipal de Bahía Blanca.
Salón Nacional de Artes Plásticas, Museo de Bellas Artes, Córdoba.

1989 
Premio Manliba, CAIC, Centro Cultural Recoleta, Buenos Aires.
Bienal M. Chandon, Museo de Arte Moderno. Buenos Aires.

1988 
Premio A. Shaw, Academia Nacional de Bellas Artes, Fundación Fortabat, Buenos Aires.
1986 
Bienal Latinoamericana de Arte sobre Papel, Palláis de Glase, Buenos Aires, Museo Provincial de Mar del Plata.
Premio, Beca Grabado, Museo de Arte Moderno, Buenos Aires.*
Premio Braque, Centro Cultural Recoleta, Buenos Aires.
Salón Municipal Manuel Belgrano (86,87,92,94), Museo Sivori, Buenos Aires.

1984 
Inter-grafik, NGNK, Berlín.*

PROJECTS

Since 2012 Surplus-value
2012 Errata- Catalogue
Since 2012 Museo de la Economía Política del Arte
Since 2012 MasterPlan, Laboratorio de Investigaciones en Prácticas Artísticas Contemporáneas, Centro Cultural Rojas, Universidad de Buenos Aires
2011 Action-Instruments Box
2010-2011 Public Considerations, a Symposium in Three Acts
Since 2010 El Viaje Revolucionario! The Revolutionary Journey!.A Navigated Novel.
Since 2009 Auctions, Market & Money
Since 2008 Legality/Essay for a Tribunal
Since 2008 Suite Auction Drawing
Since 2007 LiPac - Laboratorio de Investigaciones en Prácticas Artísticas Contemporáneas, Centro Cultural Rojas, Universidad de Buenos Aires
Since 1998 Errata
Since 2004 Magazine in Situ
From 2003 to 2006 EPA!!
Since the mid-1990s Art & Capital series

2010- 2011
Public Considerations, a Symposium in Three Acts , performative-talks at University, Bank and Parliament. Participants: Not Made In China, Grupo De Arte Callejero, Iconoclasistas, Laboratorio Audiovisual Comunitario, La Dársena_Plataforma De Pensamiento e Interacción Artística, Revista Underground, Instituto Universitario Nacional de Arte, Mujeres Públicas, Artes Visuales con Cristina, Colectivo La Tribu, Elclu , Minerva Cuevas, Ibon Aramberri, Alicia Gutierrez, Claudio Katz, Alfredo Zaiat, LAIR, Karina Granieri, Axel Cherniavsky, Pio Torroja, Natalia Rizzo, Laboratorio de Investigaciones en Prácticas Artísticas Contemporáneas, Centro Cultural Rojas, Universidad de Buenos Aires
Since 2009 Culure Secretary (Secretaría de Cultura), public actions in different locations in Buenos Aires
2008
Capital´s Flows-Magazine in situ, edition #7in several cities.
deNationality, an experiment/State of Translocality(Be(com)ing Dutch, Vanabbemuseum, Eindhoven, 2008). 
LiPac, Laboratory of Investigation in Contemporary Artistics Practices
. Ricardo Basbaum, Jorge Macchi, Catherine David, Fran Ilich, Teresa Riccardi, Esteban Alvarez, Mara Fachin / Centro Cultural Rojas, Universidad de Buenos Aires
2007
LiPac, Laboratory of Investigation in Contemporary Artistics Practices. Lectures: Dora Garcia/ Anne Kersten/ Kalle Brolin/Kristine Muntzing/Conversation with Liliana Porter/Seminary by Gonzalo Aguilar/Filmprogram selected by Andres Di Tella/Conferencia José Luís Brea / Centro Cultural Rojas, Universidad de Buenos Aires/ Universidad de Buenos Aires 
The Paradigm Confines Tour, Magazine in situ, edition # 6, The End of the World Biennial, Ushuaia.
2006
HuespEDid, EPA!! 4(CCRojas-Universidad de Buenos Aires), office - documents - projections - djs , Casa Guagnini, Buenos Aires Mise en Scène: An Approach to the Institutions, Magazine in situ, in collaborations with: Alejandro Cesarco, Jackeline Lacasa, Fernando López Lage, artworks from: Andrea Fraser, Rirkrit Tiravanija, Guy Debord, Rene Vienet, Juan Molina y Vedia , among others, fac, Montevideo.
Conversations in Alice Ville, Museo de Arte Contemporáneo Misiones
Interferencias en ArteBA, Magazine in situ, ArteBA, Buenos Aires. Activities: Talks: Romano, Herrero, Forcadell, Cippollini, Gache, Ali Brouchoud, M7red. Pages: León Ferrari, Horacio Zabala, Mirta Dermisache, Raimond Chaves, Gustavo Romano, among others. Casting, in collaboration with Gabriela Francone (video recorder).
2005
Alice-Ville, Museo de Arte Contemporáneo Rosario-MACRO
Magazine in situ - Backstage. A alive and web magazine, Magazine in situ was presented in several locations and different ways. This edition - Backstage - took place in the port of Buenos Aires city, in collaboration with Centro Cultural de España Buenos Aires, Estudio Abierto, Belén Gache, Fernando López Lage, Santiago Tavella + Gustavo Romano + artists, curators and authors: Ricardo Basbaum, Transnational Republic, Antoni Muntadas, Jacqueline Lacasa, Miren Jaio, Luis Camnitzer, Juliana Rosales, Javier Abrew, Dani Umpi.
EPA!!, Experiencias 3 (afuera), interventions -performances-laboratories, Puerto Madero (a new district in Buenos Aires city), project in collaboration with participants from Proyectos de Arte, Orientación y seguimiento seminar, 2005 + Education program - Centro Cultural Rojas Universidad de Buenos Aires- UBA + Estudio Abierto, Buenos Aires. 
2004
I’m here is an existential affirmation of the unique, singular and finite life of each persons over the structures that spread to dissolve the individual subject. The phrase “I’m here” is like a trace on the things and places that surround the human body: computers, houses, clothes, messages, writings. Presentation in different locations: exhibition León Ferrari 2004, Centro Cultural Recoleta. Alice Ville 2003, MACRO, Museo de Arte Contemporáneo Rosario.
Magazine in situ - Re-vista Espacios y Límites, is a live and a web magazine, presented in several locations and in different ways, CCEBA - Centro Cultural of Spain, Buenos Aires.Invited artists, curators and authors: Margarita Paksa, Horacio Zabala, Belén Gache, Mara Facchín, Rafael Cippolini (www.magazineinsitu.com) 
EPA!!, Experiencias 2: OFICINA, situational experience in a orderly room. Project in collaboration with participants from Proyectos de Arte: Orientación y seguimiento 2005, + Education seminar -Centro Cultural Rojas, Universidad de Buenos Aires- UBA. + Estudio Abierto, Buenos Aires (www.experiencia2oficina.com.ar)
Alicia Herrero Producciones Culturales presenta... , A H P C investigates ways of, distribution and publics presentations.Invited artists: Horacio Zabala, Mara Facchín y Mariano Vilela, Microespacios del CCEBA - Centro Cultural de España Buenos Aires.
2003
DeNationalization, departs from the idea that all nationality is an artificial and ideological identity. It proposes that people can renounce their nationality without assuming another, and then reconstruct their history/story from other points of view.
EPA!!, Experiencias 1: Procesos Abiertos-un blanco, in collaboration with Leandro Torres + Centro Cultural Rojas + Hospital de Infectología Muñiz + Pablo Pérez, Marta Dillon, Diego Melero, Paco Maglio, Monica van Asperen, Victoria Barreda, Graciela Ciampini (www.experiencia2oficina.com.ar)
Set: 10 Questions to Curators/Cultural Activist, flyers – intervention, Contemporáneo 7, Formas de Pensar, MALBA, Museo de Arte Latinoamericano Buenos Aires.
2002 
Unfair Tale with Raimond Chaves, kiosk, banners, documentation and action, against the wedding between prince Wilheim Alexander and Maxima Zorreguieta, 02-02-02 Witte Plein, Amsterdam, Holland. (Ramona magazine N° 41)
2000-2002
Chat, interactive flyers, video, installation, in collaboration with residents of different neighborhoods of Rotterdam city + Gert Rietveld + Jorge Haro + Pablo Pérez + Tamara Stuby + Mirta Demare + Duende Studios, Boijmans van Beuningen Museum Rotterdam.
2001
It’s a Jungle Out There, guided tour of different locations in Grande Riviere, Trinidad, Big River 2 International Workshop
2000
Jueguito, interactive flyer, in collaboration with Gert Rietveld from Duende Studios, Rotterdam.
1999
Cacerolazo, sticker-flyers produced on the occasion of the first two-day-long workers’ strike, café Ramona, Buenos Aires.
1996
Changing New Rags for Old, urban action in different districts of London. These towels served as sculptural material to build small British colonial houses.
1994
Vivir sin Paredes,performance + object + photo + interview, like part S/T, “la casa” project, Curator Ana Gallardo, Florida and Paraguay, Buenos Aires.
1994
Herrero Propiedades (Real Estate Agency), sale of houses, intervention-installation, S/T, Curator Ana Gallardo, Loft Giesso, Buenos Aires.
1995
Pobre pero limpita, intervention, Ave Porco pub-discotheque, Buenos Aires.
1993
La Toma, inspirited by personal experience with social centers (squoters) in Italy. The project sought to create a meeting space for artists based on a platform of autonomy. Participating visual artists, musicians, actors included Liliana Maresca, María Inés Aldaburu, Ana López, Omar Viola, Feliciano Centurión, Carmen Baliero, Orge, Luis Simbrotsky, Norberto Gómez, Fernando Bedoya, Diego Fontanet and many others, Buenos Aires.
1992 
Se come lo que se dice y se dice lo que se come, with Sara Rosemberg, performance in opposition to the 500th anniversary of the Discovery of America, Parakultural, Buenos Aires
1991 
Dando color al fruto, with Ana López, exhibitions, video projections, musical and other performances, installations, poetry. Participants: Talleres de la Beca Kuitka, Batato Barea, Coco Bedoya, Boy Olmi, Alfredo Casero, Feliciano Centurión, Las gamba al ajillo, etc. (30 artists), Parakultural, Buenos Aires.
1991
El deseo es una frutilla madura, installation - performance, Dando color al fruto, basement, Parakultural, Buenos Aires. 
1983
Along with other young artists, founded the independent Asociación de artistas plásticos de Quilmes (Association of Visual Artists of Quilmes), and organized different exhibitions and events.
1982
No a la Guerra, Distribution of flyers against the Malvinas War in public spaces, Rivadavia and Alvear, Quilmes
Preparation of flyers and performance, No a la Guerra exhibition, distribution of flyers against the Malvinas War in art spaces, Manzana de las Luces, Buenos Aires.
1981-82 
For a year, organized visual art exhibitions for the Art Departament of Centro Cultural Cooperativa Credicoop de Quilmes. Collaborated with the writer and psychoanalyst and writer Daniel Navarro in the Center’s Film Program. Also organized shows and public art presentations against the Malvinas War.

PUBLICATIONS

2011 Book of 1500 copies: Public Consideration, a Symposium in Three Acts,CCRR-Universidad de Buenos Aires, Libros del Rojas, distribution by Editorial Eudeba
2011 Publication of 5000 posters and 5000 postcards for The Revolutionary Journey!, 8th Mercosur Bienal, Porto Alegre
2011 Publication of 1000 posters and 1000 postcards for The Revolutionary Journey!, Informe País, GAM, Santiago de Chile.
2010 Publication of 1500 copies of LiPac Cierre projects – CCRRojas - UBA
2010 Publication of 1000 postcards for The Revolutionary Journey!, Documents For an Imperfect Future, Fondo Nacional de las Artes, Buenos Aires y El Parqueadero, Bogotá
2009 Limited publication of “Capital Cultural”, exhibition Las Comisuras de La Boca, PROA, Buenos Aires
2007 Magazine in situ - The Paradigm Confines Tour-Ushuaia (edition # 6)
2006 Magazine in situ – Interferenecias en ArteBA-Buenos Aires (edition # 4) Puesta en escena: una aproximación a las instituciones-Montevideo (edition # 5)
2005 Magazine in situ-a live and a web magazine, (edition # 3) Backstage, location: Buenos Aires city port, with support from Estudio Abierto and Centro Cultural de España Buenos Aires www.magazineinsitu.com 
2004 Magazine in situ- a live and a web magazine, edition # 1 y 2, Re-vista Espacios y Límites location: CCEBA – Centro Cultural de España Buenos Aires www.magazineinsitu.com 
2003 Set of questions for curators/cultural activists, publication in flyer form, distributed during the opening Contemporáneo 7, Formas de pensar, MALBA; Museo de Arte Latinoamericano Buenos Aires.
2002 Cuadernillos de Caligrafía 1, self-published, Buenos Aires.
2000 Chat, edition of 1000 interactive flyers, Mirta Demare, Rotterdam.
1999 Cacerolazo sticker-flyers produced on the occasion of the first two-day-long workers’ strike, self-published, Buenos Aires.

COLLABORATIONS 

2013
It's the Political Economy, Stupid: The Global Financial Crisis in Art and Theory,
book exhibition It’s the Political Economy, Stupid, published by Pluto Press (UK) and Pori Art Museum (launched at Pori Art Museum and Austrian Cultural Forum New York)
Public Consideration a Symposium in Three Acts
(publication of the project, edited by Stephanie McGuinnes Rethinking Marxism,25/3, Association for Economic and Social Analysis /Routledge/Taylor & Francis, USA (p. 121 to 133)
2012
Impertinent Spaces, Visual Essay with Karina Granieri, Crisis magazine (print publication), No. 8, Migra & Pop, Argentina
Foco SanPa, Sao Paulo Biennial, Curators Juliana Rosales and Angela López Ruiz
2011
RECIBO Nª 88, magazine of 15.000 copies, Auctions Market & Money project, Sao Paulo, Brasil
2007
NBP Project by Ricardo Basbaum. Edition 6, Magazine in Situ: The Paradigm Confines Tour (Video version)
Documenta 12 Kassel
Print page of Magazine in Situ 5, Traveling Magazine Table, Insa Art Space of the Arts, Seoul, Korea
f oco2 : cinto hip (skype interview), Encuentro Regional de Arte, August/200, fac, fundación de arte contemporáneo, Montevideo
2006
Bazar, portable exhibition, # 21/Pulgar magazine, Curator Gabriela Salgado, Editor Luis Romero, Caracas, Venezuela
http://pulgar.multiply.com/photos/album/21/pulgar_21_fricciones_interculturales#1
Organized the presentation of Transnational Republik, where Georg Zoche presented a migration office, Goethe-Institut Buenos Aires.
2005
Live Intervention, on Ramona N° 50, ArteBA, Buenos Aires
Doméstico, text for the exhibition of Paola Sigal at "One-Hour" and Lateinamerikanischer Frauenverein, Berlín.
Margarita y el hip hop, text about Margarita Paksa, Canecalón magazine, # 4, año 2 #5 Buenos Aires
2004
Del bosque, screening of images for the presentation of La estrategia de los árboles (disc) by Esteban Castell, at Belleza y Felicidad, Buenos Aires.
2003
Un diario anual construido con frascos vacíos de medicamentos, perfumes y jabones, Experiencias1: Procesos Abiertos, Ramona magazine, Buenos Aires, June 2004, no. 41, pp. 16-21.
Fragments of anti-panopticon (essay), publication in Ramona magazine, no. 35, pp. 16-18, Buenos Aires, October-November- 2003.
2002
Cacerolazo de artistas contra la princesa, text about the Dutch Royal Wedding, Ramona magazine, Buenos Aires, March 2002, no 21, pp. 57-58.
1996
Repasador: la gran limpieza, publication: 25 Years Since the Dictatorship, Editor Fernando Bedoya, distribution through human right organizations, journals, libraries, bookshops, museums, Buenos Aires.
1995
Repasa-dor-champ, Andesground, Grafica alternativa IV, Editors Juan Carlos Romero and Fernando Bedoya, Buenos Aires- Lima.
1993
Alicia en las ciudades, actions for the recuperation of recently occupied social centers in Rome, actions with Fabiana Valgiusti for the recuperation of the Leonardo Da Vinci channel, Centros Sociales casa Gorizia, León Caballo, Milan.
Patter dixi by Tomas Bernhard, réggisser Pompeyo Audivert, rest of the wall intervention with El deseo es una frutilla madura at Parakultural, Buenos Aires.
1992
Wardrobe curation for the opera The Flying Dutchman, by Richard Wagner, réggisser Omar Viola. Wardrobe selected from National Opera: Teatro Colon, Parakultural, Buenos Aires.
1990
jrajjjhhh… , “No - pardon - No military obedience– No end point ” editor Fernando Bedoya, distribution through human right organizations, journals, libraries, bookshops, museums, Buenos Aires.
1989
Pintores en Cabret, video documentary with Gerardo Silvaticci and Dani Lavigne – collective production, Open Door art workshops, Psychiatry House, Jornadas Latinoamericanas de Arte en Neurosiquiátricos, Cemento discoteque, Buenos Aires
Huella, landscape intervention, Grupo Escombros, La Ciudad del Arte, La Plata.
1982
Scenography assistant for La casita de mis viejos, régisseur Agustín Alezzo, scenography by Gaston Breyer, Teatro Abierto 82”, Cazal de Cataluña, Buenos Aires.


ALICIA HERRERO TEXTS

Arte & Capital - Fe de Erratas. Método y Serie, revelación de unas reglas, Revista Blanco sobre Blanco, Nº4, May 2013
MasterPlan/LiPac 2012, printed flyer (5000), CCRRojas -UBA
Public Considerations - The Word in Action, introduction to the book: Public Considerations, a Symposium in Thee Acts- Lipac-Rojas, UBA, Buenos Aires, 2011
Index, Latin American Library/Capacete, catalogue, 32ª Panorama del Arte Brasilero, Museo de Arte Moderno, Sao Paulo, 2011
Index2, Latin American Library/Capacete, publication of Capacete, Rio de Janeiro, 2011
Action-Instruments Box, script of performative public presentation, 2011
Art and Self-Alteration (Las posibilidades del arte de autoalterarase) Symposium: Challenges that the globalization raises in the visual arts, UNTREF University, Buenos Aires 2008.
The Paradigm Confines Tour (Magazine in Situ 6), event and online publication, 2007
Complejos procesos de links, paper for conference, Centro Cultural de España Montevideo, 2006
Backstage, edition # 3, Magazine in situ, 2005.
Abstrusa apariencia, Alicia Herrero Producciones Culturales presenta…texts on interventions, Centro Cultural de España Buenos Aires, 2004.
Existencias, text for "Ensayos" by Paola Sigal, exhibition at Lateinamerikanischer Frauenverein, Berlín 2004.
Re-vista Espacios y límites, edition # 1 Magazine in situ, 2004.
Seminary Art Projects, statement, Centro Cultural Rojas, 2003
Diario de jornadas de Experiencias 1: Procesos Abiertos Hospital de Infectologia Muñiz, Ramona magazine, June 2004, no. 41, pp. 16-21.
Elipse, (Spanish and German), exhibition Alltag und Vergessen, NGBK – Neue Gesellschaft für Bildende Kunst Berlín and Rote Fabrik, Shedhalle, Zurich, 2003.
Set: Some Questions for Curators/Cultural Activists, flyers, MALBA, Museo de Arte Latinoamericano Buenos Aires, 2003. (pamplet)
Anti-panóptico- De-constructora de sistemas S.A, parts of this text published in “Semana cultural en Brukman”, Ramona magazine, no. 35, pp. 16-18, Buenos Aires, October-November- 2003.
Brukman / Text-women / Art-Text, unpublished, 2003
Cacerolazo de artistas contra la princesa, Ramona magazine, Buenos Aires, March 2002, no. 21, pp. 57-58.
Unfair-Tale, print and net flyer was distributed and sent before the wedding between prince Wilheim Alexander and Maxima Zorreguieta, Rotterdam, Amsterdam, Holland.
Chat, small poster, in English and Dutch, Boijmans van Beauningen Museum, Rotterdam 2001-02.
Un paisaje hechizado, BarBAria 3, catalogue exhibition, ICI, Instituto de Cooperación Iberoamericano Buenos Aires, pp.11-14, 1998.


TALKS AND SHOWCASES
 -selection-

2013 - ART & CAPITAL, performative-talk, ARTE Y CRÍTICA CULTURAL LATINOAMERICANA, academic program, Fundación de Arte Contemporáneo, September 21, Montevídeo
2013 - Art & Capital, performative-talk, curator Lorena Peña Brito, MURA, August 28 / 2013, Guadalajara, México
2013 - Art, Market, and Political Economy, presentation of Museum of the Polítical Economy of Art, 28/01/2013, El Galpón, Buenos Aires
2012 - Video and book presentation, Public Considerations, a Symposium in Thee Acts 18-05-2012, Centro Cultural Rojas-Universidad de Buenos Aires
2012 - Book and project presentation, Public Considerations, a Symposium in Thee Acts 17-02-2012, Medialab Prado, Madrid
2012 - Book and project presentation, Public Considerations, a Symposium in Thee Acts 9-02-2012, El Ranchito-Matadero, Madrid
2012 - Book and project presentation, Public Considerations, a Symposium in Thee Acts , 28-02-2012, Traficantes de Sueño, Madrid
2012 - Book and project presentation, Public Considerations, a Symposium in Thee Acts, 25-01-2012, Eyebeam - Art + Technology Center, New York
2012 - Artist talk, exhibition: It’s the Political Economy, Stupid, January 23. Participants: Linda Bilda, Melanie Gilligan, Alicia Herrero, Olga Kopenkina, Alexandra Lerman, Dread Scott and the curators, Austrian Cultural Forum, New York
2011 – Public Considerations and LiPac, conference in the Program: Pós-graduação em artes plásticas e contemporaneidade, Scola Guignard – Universidad do Estado de Minas Gerais - Organization: Capacete, Belo Horizonte, Brasil
2010 - Lecture about LiPac, part of the Fase2-Utopías-Distopías-Atopías-Centro Cultural Recoleta, Buenos Aires
2010 - Alicia Herrero, lecture, multiple seminars in Esteban Álvarez’s course, IUNA, Fundación Telefónica, Buenos Aires
2009 - Art & Capital, lecture, Biennial of Bogota, Museo de Arte Moderno de Bogotá, Colombia
2009 – Conversazioni di Art & Capital, conference at Spacio Gerra, Reggio Emilia, Italy
2009 - Suite Auction Drawings, lecture as part of Berta Sichel’s seminar at Fundación Telefónica, Buenos Aires
2008 - Talk: Art and Self-Alteration, National University Institute of Art , Buenos Aires, in the context of Esteban Alvarez’s course.
2008 - Conference: Art and Self-Alteration, Symposium: Challenges that the globalization raises in the visual arts, UNTREF National University of February Third, Buenos Aires 2008.
2007 - Lecture, Eindhoven Caucus, Be[com]ing Dutch, November/2007, Van Abbemuseum, Eindhoven
2007 - Archivos (roundtable) organized by Andrea Giunta, CeDIP - Centro de Documentación, Investigación y Publicaciones, Centro Cultural Recoleta, October 23, Buenos Aires
2006 - Complex Process of Links, 2# Jornadas universitarias de Creación y Nuevos Medios, Universidad de Palermo
Buenos Aires
2006 -The Agnostic and the Contemporary, Corbalán (m7red) – Herrero, Organized by Gabriela Forcadell, Aguirre
Buenos Aires
2006 - The Agnostic and the Contemporary, by Gabriela Forcadell, AK28, Stockholm, Sweden
2006 - Dialogic Process: Magazine in Situ, 24/ October/ 2006, Centro Cultural de España, Montevideo, Uruguay
2006- Usos de una teoría de mano, Cultura y Media, Centro Cultural San Martín , Buenos Aires
2006- The School of Panamerican Unrest- Pablo Helguera-Fundación Star, Buenos Aires
2006- Coordinación charlas: Romano, López Lage, Ali-Brouchoud, Forcadell, Melero, Cippollini, Gache, Magazine in situ, ArteBA, Buenos Aires
2006 - Lecture RIAA, Fundación Telefónica, Buenos Aires
2006 - Lecture RIAA, Centro Cultural Rojas, Universidad de Buenos Aires
2005- Mi colección favorita, projects presented by Jorge Gumier Maier together with Elba Bairon, Roberto Jacoby, Luis Lidner and Luis Benedit. Projectspresentation by León Ferrari, Transnacional Republic, Francis Alis, Lewis Lawler, Tiravanija, Raimond Chaves, Gustavo Romano, among others, Centro Cultural Rojas, Buenos Aires.
2005- Alice Ville, talk, Museo de Arte Contemporáneo, Rosario.
2004 - Chat 2000-2002, talk, Arte e interacción, presented by Graciela Taquini, with Mariano Sardón, Fundación Telefónica, Buenos Aires.
2004 - Chat, conference organized by Mercedes Pérez, Facultad de Artes Visuales, Historia del Arte, Universidad de La Plata.
2003 – Paper: Anti –panopticon (essays), “Arte y Conflicto” symposium, actions for recuperation of the Brukman Factory, June 1, 2003, (Ramona magazine No. 35)
2002 - Lecture with Raimond Chaves and Gilda Mantilla, Kaus Australis, Rotterdam
2001 - Lecture proyectos Paisaje Hechizado and Romántico, Big River 2, Trinidad
1996 - Des-informes, talk, presented by Adriana Lauría, toghether with Marcelo Pacheco and Gachy Hasper, Protagonistas del Arte de Hoy, Primeras Jornadas de Historia y Teoría del siglo XX, Facultad de Filosofía y Letras, Universidad de Buenos Aires - UBA, Fundación Banco Patricios, Buenos Aires.
1995 - E-ti-que-tas-E-ti-cas, talk, presented by Sebastián Zicarello, together with Rosana Fuertes and Carolina Antoniadis, “Arte y postfeminismo”, Escuela de Bellas Artes Prilidiano Pueyrredón, Buenos Aires.
1995 – Latest projects, ”El entorno femenino en las artes plásticas“, together with Cristina Schiavi, Ana López, Mónica González, Marité Zaldivar, Fátima Martíni, Centro Cultural de Asunción, Asunción, Paraguay.
1995 – Bienal de La Habana 94, “La cultura Argentina en los 90”, with historian Hebe Clemente together with researchers from UBA, Instituto de Enseñanza Superior N° 1, “Alicia Moreau de Justo,” Buenos Aires.
1994 – Talk about V Bienal Internacional de La Habana, organized by Jorge Gumier Maier, together with Victor Grippo, Feliciano Centurión, el Búlgaro, Centro Cultural Ricardo Rojas, Buenos Aires.
1995 – Talk on Art and post-feminism, Juan Doffo Studio, Buenos Aires.


WORKSHOPS AND LABORATORIES -selection-

2013 ¿Para qué necesitamos el arte?, Diagonal Escuela Libre, Two days laboratory, August 26 and 27, Guadalajara, México
2013 SITAC XI- Education Platform: Campo De Pruebas - Simposio Internacional de Teoría sobre Arte Contemporáneo, August 22/August 24, México DF
2012/13 . MasterPlan projects and artists in residence, Report - Live Interview - Dramaturgy - Activism - Films - Performative-Talk
LiPac-Laboratory of Investigation into
Contemporary Art Practices
(coordination/oganization/concept), Mondriaan Fonds, Centro Cultural Ricardo Rojas, Universidad de Buenos Aires
2011 - Art & Capital, workshop at Atelié 397 (Capacete organization), Sao Paulo, Brasil
2011 - Art & Capital, workshop in the 8ª Biennial do Mercosul, Porto Alegre, Brasil
2010 - LiPac Laboratory of Investigation in Contemporary Artistic Practices, (development of project and organization of seminars and studio visits with Minerva Cuevas, Ibon Aramberri, Margarita Paksa, PhD, Alicia Gutierrez and studio group of Pierre Bourdie (Philosophy, Córdoba University), Centro Cultural Rojas, Universidad de Buenos Aires
2010 - Art & Capital workshop at Cittadellarte (International Artist Residency), Pistoletto Foundation, Biella, Italy
2009 - Development of LiPac Laboratory of Investigation in Contemporary Artistic Practices. Meetings, seminaries, lectures, with Joep Van Lieshout Lara Almarcegui, Raimond Chaves, Marta Minujin, Alejandro Cesarco, Belén Gache, Centro Cultural Rojas, Universidad de Buenos Aires/ Universidad de Buenos Aires
2008 - Development of LiPac Laboratory of Investigation in Contemporary Artistic Practicesc. Meetings, seminaries, lectures, with Nina Montmann, Ricardo Basbaum, Jorge Macchi, Catherine David, Fran Ilich, Teresa Riccardi, Esteban Alvarez, Mara Fachin, Belén Gache, Gustavo Romano/ Centro Cultural Rojas, Universidad de Buenos Aires/ Universidad de Buenos Aires
2007 - A Reading of Field and Practices, Workshop, Cycle: Intervalo de Confianza, Encuentro Regional de Arte
September/ 12 and 13/2007; Museo Nacional de Bellas Artes, Montevideo
2007- Seminar, Proyectos de arte: orientación y seguimiento, Centro Cultural Rojas, Universidad de Buenos aires (UBA).
2007 - Development of LiPac Laboratory of Investigation in Contemporary Artistic Practices. Lectures: Dora Garcia/ Anne Kersten/ Kalle Brolin/Kristine Muntzing/Conversation with Liliana Porter/Seminar by Gonzalo Aguilar/Film program selected by Andres Di Tella/Conference by José Luís Brea / Centro Cultural Rojas, Universidad de Buenos Aires/ Universidad de Buenos Aires
2006- Studio visit, scholarships, Centro Cultural Rojas – UBA, Universidad de Buenos Aires.
2006 - Contemporary Art & Context (workshop), Bienal del Fin del Mundo, Ushuaia
2006- Seminar, Proyectos de arte: orientación y seguimiento, Centro Cultural Rojas, Universidad de Buenos aires (UBA).
2006- Studio visit, scholarships, Museo de Arte Contemporáneo Misiones.
2005- Seminar: Proyectos de arte: Orientación y seguimiento proyectos, El Rojas en el Rosa, Museo Rosa Galisteo de Santa Fe, with collaboration of Centro Cultural Rojas, Universidad de Buenos Aires-UBA.
2005- Workshop: La vida cotidiana como laboratorio, Imola-Comba, Roberto Vanguardia studios, Rosario.
2005- Studio visit, Museo Damasco Arce and Centro Cultural Rojas, Universidad de Buenos Aires-UBA, Olavarría.
2005- Proyectos de arte: orientación y seguimiento, Centro Cultural Rojas, Universidad de Buenos Aires (UBA).
2004 - Proyectos de arte: orientación y seguimiento, Centro Cultural Rojas, Universidad de Buenos Aires (UBA).
2003 - Proyectos de arte: orientación y seguimiento, Centro Cultural Rojas, Universidad de Buenos Aires (UBA).
2003 - Análisis de obra- Studio visit, Facultad Ciencias de la Administración, Concordia –Centro Cultural Rojas, Universidad de Buenos Aires (UBA).
2003 - Pintura y Dibujo, Centro Cultural Ricardo Rojas, Universidad de Buenos Aires (UBA).
2000 - El Taller de pintura como laboratorio, Centro Cultural San Martín, Buenos Aires.
1998/ 1999- Dibujo y pintura, Centro Cultural Ricardo Rojas, Universidad de Buenos Aires (UBA)
1995 - Seminar, “Mujeres Artistas desde el renacimiento hasta hoy”, Escuela Superior de Bellas Artes, Ernesto de La Cárcova, Buenos Aires.
1990- Morfología, Escuela de Bellas Artes Prilidiano Pueyrredon (IUNA).


BIBLIOGRAPHY

2014

It's the Political Economy, Stupid! by Vladimir Jeric Vlidi; LatinArt 2014 (about exhibition at Center for Cultural Decontamination in Belgrade organized by Rosa Luxemburg Foundation)

2013
Rebeca Pérez, Propone reflexión sobre valor del arte, Mural journal, Culture, México 27-08-2013 (p.6)
Eugenia Coppel, "Evidencia" al mercado del arte, El Informador, journal, Culture, México 29-08-2013
Jessica de la Cruz, Discutirán sobre Arte y Capital en el MURA, El Milenio, journal, Culture, México 28-08-2013 (p.29)
It's the Political Economy, Stupid: The Global Financial Crisis in Art and Theory, book exhibition It’s the Political Economy, Stupid, published by Pluto Press (UK) and Pori Art Museum (launched at Pori Art Museum and Austrian Cultural Forum New York)
Marcela Quiróz, Empezó el SITAC XI, SalonKritik, Madrid, February 2013
Martín Volman, Charla con Alicia Herrero, (blog) Buenos Aires, January 2013
Interview by Esfera Pública, Museo de la Economía Politica del Arte, Bogotá, May 2013
Alicia Herrero,
Arte & Capital-Fe de Erratas. Método y serie, revelación de unas reglas, Blanco sobre Blanco, art magazine, Buenos Aires, May 2013
Public Consideration a Symposium in Three Acts (publication of the project, edited by Stephanie McGuinnes Rethinking Marxism,25/3, Association for Economic and Social Analysis /Routledge/Taylor & Francis, USA (p. 121 to 133)
2012
Teresa Riccardi, On/scenities del capital, Artforum press-release , solo show at 11 x 7: Museo de la Economía Política del Arte (Museum of the Political Economy of Art), 09-11-2012, Buenos Aires
Lara Marmor, Museo de la Economía Política del Arte, muestra de Alicia Herrero, Los Inrocks (magazine), 23/12/12, Buenos Aires
Alphaville, Museo de la Economía Política del Arte.Alicia Herrero, REV (12 pictures), 20-11-12, Buenos Aires
Ramona, Museo de la Economía Política del Arte at 11x7, (10 pictures) November 2012, Buenos Aires
Teresa Riccardi, "Tomar la palabra. Prácticas Performativas de Artistas Argentinas", Primeras Jornadas de Estudios de la Performance, No 1, CIFFyH- Museo de Antropología- UNC, (april 2012), Córdoba
Nahuel Lag, interview “Durante las últimas dos décadas de carrera…” Revista NAN •8 (Julio 2012), Buenos Aires
Pablo Helguera, interview with Alicia Herrero "Art as knowledge of the world"in book: "Pedagogy in the expanded field" publication of the 8th Mercosur Biennial, Portuguese version (pages 105, 106 and 107), Spanish (248, 249 and 250), English (375, 376 and 377), Publishers Pablo Helguera and Monica Hoff, Porto Alegre, 2011, Brazil
Teresa Riccardi "The Enacting of the Public (From Performativity to Emancipation ) in Alicia Herrero's PC, LatinArte, May 2012, Quito/Los Ángeles
Cristina Civale,
Vendida! newspaper Pagina 12, pages 8 and 9, Las12, 04-05-2012, Buenos Aires
Ruth Carnevale, ArteBA 2012 y la autorreferencia, ac artecriticas, May 2012, Buenos Aires
Ñ cultural magazine, "Essay. Publicness and Artistic Practices," News section, page 6, "Ensayo. La cosa pública y la práctica,” 09-06-2012
FotoTour, ArteBA 2012, Universe-in-Universe, May 2012, Germany
Praxistest – Künstlerische Projekte zur Vermittlung zeitgenössischer Kunst, Publik Considerations, ein Symposium, drein akten, publicación-serie de libros de la Schoeppinger Forum für, Kunstvermittlung, April /2012, Germany
Birgit Sonna, Die Messe Arco in Madrid setzt ihren Aufwärtstrend fort und überrascht mit passablen Verkäufen, Art das Kunst Magazine, 16-02-2012, Germany
von mhollerbach, Die Madrider Kunstmesse Arco ist auch..., Farb & Still 5-02-2012, Germany
Von Clementine Kügler, Wider den Gemischtwarenladen, Zeit DE, 15-02-2012, Germany
Alexandra Prado Coelho, A Arco olha para a América Latina. E eles olham para cá?, Newspaper El Público, 18.02.2012 - Portugal
Lucie Duban, Artistes Arco 2012, Lucie Duban.Moodboard March, 13, 2012, Paris
Chiara Tinonin, Arco, ponte tra culture, Il Giornale DellÁrte, May/2012, Italy
Margherita Visentini, Cosa non perdersi (e come non perdersi) all'Arco Madrid, Stile.it, 28 February 2012; Italy
Simona Spinola, È qui la festa?, Seroxcult, 29 february 2012, Italy
Bea Espejo, Lo mejor de Arco 2012, El Cultural, 17-02-2012, Spain
Arcoholics – por José Luis Calderón, Nicola Mariani - Arte y Sociedad, Spain
Juan Bosco Díaz-Urmeneta, La feria en tiempos de crisis, el diario de Sevilla y Malaga Hoy, 17-02-2012, Spain
Javier Gonzalez Panizo, Arco’12: El triunfo (o casi) de la voluntad, bloguerte-Critica de Arte, España
Manolo Pérez en Sáb, Latinoametica protagonista de Arco 2012, Apuntes del Natural, 18/02/2012, Spain
Paco Barragan, interview with Alicia Herrero Frecuency.com, Febrero 2012, Spain
Kees Koomen, Arco12 Madrid Focus Paises Bajos, Trenbeheer, Netherland
Adriana Herrera, El espacio revelador de Focus Latinoamérica en Arco Madrid 2012, Arte al día Internacional, Argentina
Maria João Costa, Arco abre hoje e já há obras a gerar reacções, Rensascensa, journal, Portugal
Rethinking Marxism # 25/3, Association for Economic and Social Analysis /Routledge/Taylor & Francis, USA
More:
Press dossier about Action-Instrumets Box in SoloProjects Arco 2012 - Madrid (40 links)
New York Exhibition Press (40 links) press It’s the Political Economy, Stupid Austrian Cultural Forum, New York, January-April 2012
2011
Pablo Helguera, catalogue and guíde, publications of the "8th Mercosur Biennial", Porto Alegre, 2011, Brazil
Axpe Imóveis Especiais, 8ª Bienal do Mercosul, Taste, 16-09-2011, Brazil
UbaLab, Bienal do Mercosul, 29-10-2011, Brazil
The World's Best Photos, Flickr Hive Mind
Teresa Riccardi, Excerpt from the article "The Enacting of the Public (From Performativity to Emancipation) in Alicia Herrero's PC ", in Practical Test. Projects of Genuine Artists to Communicate Current Art to the Public, book series of the Schoeppinger Forum für Kunstvermittlung, Germany, 2011
Teresa Riccardi, "The Enacting of the Public (From Performativity to Emancipation) in Alicia Herrero's PC", in Public Considerations, a Symposium in Thee Acts- Lipac-Rojas, UBA, Buenos Aires 2011, Buenos Aires
María Fernanda Cartagena, "Speculationis", LatinArt.com, 2011
Ana María Quijano, "Mercosul Biennial 2011 Gets Rid of the Show,”Arte al día Magazine and Ámbito Financiero Newspaper, September 2011
Teresa Riccardi and Roberto Moreira (Traplev), RECIBO Nª 88, May / 2011 publication of "Auctions Market & Money" project, Sao Paulo, Brasil
Esteban Álvarez, "Documents for an Imperfect Future", catalogue, El Parqueadero, Colección Museo Banco de La República, Bogotá
Adetty Pérez Miles, Dialogic Encounters: The School of Panamerican Unrest (La Escuela Panamerican del Desasosiego), chapters 2 and 4, publication by Penn State University, USA, 2011
2010
Gabriela Schevach, Documents In the Present From the Future Through the Past, Alphaville, 2010
Gabriela Schevach, "The Imperfect Future of Art at the Fondo Nacional de las Artes", Juanele, 2010
Esteban Álvarez, Documents for an Imperfect Future, catalogue, Fondo Nacional de las Artes, Buenos Aires, 2010
Abel Konya, Fake, catalogue Paticion2.0 , INTERMODEM 2nd International Intermedia Modem Center of Modern and Contemporary Art, Debrecen, 2010
Massimiliano Scuderi, "Art & Capital, corrodere il sitema dall´ interno", interview in Arte & Critica magazine, Italy, 2009.
Franco Berardi Bifo, Valerio Evangelisti, Eugenio Lo Sardo (among others), In Memoria di Sbancor (images from Art & Capital series), Loop magazine, (pages 10 to 19), 2009, Italy
Valeria González and Maxi Jacoby, "20 años de Artes Visuales", book, Centro Cultural Rojas, 2009.
Valeria González, "De los 90 y del 2000", newspaper Página 12, 13-10-2009.
Catalogue Bienal de Arte de Bogotá, Museo de Arte Moderno de Bogotá, Colombia, 2009.
Karina Granieri,"Las Comisuras de La Boca", Fundación Proa, 2009
Silvia Litardi, "Art & Capital", SalonKritik, 2009.
25 años del Rojas, (testimony), book, Centro Cultural Rojas,2009.
María Fernanda Cartagena, Speculationis, catalogue Art & Capital, Mirta Demare Gallery, Rotterdam 2009
Gabriela Salgado, "Performing In The Theatre Of The Auction House", Art & Capital catalogue, Demare Gallery, Rotterdam 2009
2008
Gerardo Mosquera, Globalización y Cultura ¿Existe un lugar Latinoamericano?, Untref, 2008
Intermodem, MODEM Centre for Modern and Contemporary Art, Debrecen, Hungary, catalogue, 2008
Elena Oliveras, “Contemporary Art Questions ”, book, C. Lo museable, ed. Emece Arte 2008
2007
Ana María Battistozzi, Estudio Abierto, book, 2007
Ana Maria Battistozzi, Biennial of the End of the World, ArtNexus No. 66 - Sep 2007
Teresa Riccardi, First edition the End of the World Biennial, LatinArte, 2007
Rethinking Dissent, Goteborg International Biennial for Contemporary Art, catalogue, 2007
Gustavo Romano, Acciones, Investigaciones, Relecturas, catalogue, Centro Cultural de España Montevideo, 2007
Fabio Cypriano, “Ushuaia mostra arte no fim do mundo”, Cuaderno de Cultura la Folha de Sao Paulo, April 8, 2007.
Patricia Pedraza, “Ramona en el fin del Mundo”, Ramona magazine: http://www.ramona.org.ar/node/14514, 2007
Eduardo Nava, “Magazine in Situ: Paradigm Confines Tour”, NewMedia, http://newmediafix.net/daily/?p=1260, 2007
Cristina Civalle, Bienal del Fin del Mundo II: Travesías, Clarín Digital, 2007 http://weblogs.clarin.com/itinerarte/archives/2007/03/la_bienal_del_fin_del_mundo_ii_travesias_1.html
Ana María Battistozzi, “Otras realidades son posibles”, Suplemento Ñ, Newspaper Clarín, April 7, 2007.
Bienal del Fin de Mundo, Ushuaia 2007, catalogue, 2007
2006
Francisco Ali-Brouchoud, “Here and Now” catalogue – Museo de Arte Contemporáneo de la Universidad Nacional de Misiones,2006
2005
Ana Tiscornia and Patricia Betancour, catalogue of the exhibition "La problemática de género en la producción iberoamericana contemporánea", Centro Cultural de España Montevideo, September-December 2005.
Belén Gache, catalogue “Alice Ville”, MACRO - Museo de Arte Contemporáneo, Rosario, August 2005.
Claudia Laudanno, "Complejidad Inventiva del espacio en la obra de Alicia Herrero", interview, Cultura, Diario Rosario 12, August 23, 2005, p 6.
Rodrigo Alonso, text, "Hazañas y peripecias del video arte en Argentina", Cuadernos de Cine Argentino. Cuaderno 3: Innovaciones Estéticas y Narrativas en los Textos Audiovisuales. Buenos Aires: Instituto Nacional de Cine y Artes Audiovisuales, 2005.
E. Lewis, "Alicia Herrero y una obra donde el público..." Diario La Capital, August 14 2005, pp. 13.
Marcela Römer, “Alice Ville: una forma de vivir el arte”, Rosariarte www.rosariarte.com.ar, September 2005.
Roberto Jacoby, “El proceso de la obra es una fluctuación real-ficcional”, interview, Poéticas, Ramona magazine No. 50, 2005.
Fabian Lebenlik, Qué y quiénes son los curadores, Página 12, Cultura & Espectaculos, November 29, 2005
Jorge Gumier Maier, “Curadores”, interview, book, Centro Cultural Rojas - editorial, Universidad de Buenos Aires, 2005.
Elena Oliveras, “La estética y sus cuestiones”, book, Planeta editorial, 2005.
2004
Ana María Battistozi, “Elogio de lo pequeño”, Suplemento Ñ, 20-11-04.
Fabian Lebenglik, “Los reducidores”, Plástica, Diario Pagina 12, November 16, 2004.
Santiago Rial Húngaro, “El secreto y las voces”, Diario Pagina 12, Suplemento Radar, 18-05-04.
Ana María Battistozi, “¿y donde esta el artista?”, Suplemento Ñ, 5- 6-04
2003
Santiago Rial Húngaro, “Operación perturbar”, Diario Pagina 12, Suplemento Radar, 7-12-03.
Barbara Basting, “Immer noch: Cry for Argentina”, Tagesanzeigh, 09-09-03.
Timo Berger, Alltag und Vergessen –Argintinien 1976/2003, Ramona magazine, pp.74-76, # 34, September 2003.
Harald Fricke, “Sieg für Arbeiter,….”, Die tageszeitung, 17-03-03.
Alexander Kluy, “Bis heute ungeklärt”, Berliner Morgenpost, 9-4-03.
Michel Nungesser, “Der Tagesspiegel”, Blutige Jahre, 14-4-03.
Donata Droge, “Alltag und Vergessen”, ila 264, 03-04-03.
Timo Berger, “Störfeur”, Junge Welt, 15-03-03.
Martien Conrads, “Verlorene Utopien”, Zilty, 08-03-03.
Andrea Giunta, catalogue exhibition “Alltag und Vergessen”, NGBK, Neue Gesellschaft für Bildende Kunst Berlín and Rote Fabrik, Shedhalle, Zurich, 2003.
2002
Fabian Lebenglik, “La retina contra la rutina”, Diario Pagina 12, Plástica, 10-11-02.
Ana Maria Battistozzi, “Alicia Herrero”, Revista Arte y Parte, Madrid, December 2002.
Graciela Taquini, “Trampas y simulacros” catalogue, Centro Cultural de Montevideo, May 2002.
Christian Ferrer, “herrerías” catalogue, Luisa Pedrouzo, December 2002.
Marta Dillon, “Arqueología del Recipiente”, p. 12, 29-03-02.
Emile Hilgers "Kunstenares zoekt keukengerei...", Donderdag, Rotterdam 03-02-02.
Henny de Lange, “ Tranen veranderen in projectielen” Trouw, Rotterdam, January 23, 2002.
Sandra Smets, “De essentie van film in één statisch beeld”, Cultuur, Rotterdams Dagblad, Rótterdam, February 5, 2002.
Big River 2, catalogue, CCA – Contemporary Art Center, Port of Spain.
Elena Oliveras, “Ambiguous Objects in Argentine Art of the 90’s, ArtNexus”, 01-01-02
2001
Jorge López Anaya, “Crecer a pesar del ajuste”, Diario La Nación, October 16, 2001.
Arte de los 90, book, Fondo Nacional de las Artes editorial, 2001.
2000
Elena Oliveras, “La levedad del límite”, book, Fundación Pettoruti editorial, October 2000.
1999
AB, “Der Argentinische, Oh-Faktor”, Kultur Joker, May-June 1999.
Eva Keller, “Ironic auf Vasen, Kunst im Rahmen”, Der Sonntag, 30-5-99.
Ulrike Prasch, “Alles ist möglich”, Kultur, 21-5-99.
Gerahard Rump, “Auf dem Weg zur neuen Dekoration”, Die Welt, 30-4-99.
Jiri Hezky, “Kunstmesse Francfort”, Kolner, Stadt-anzeiger, 24-4-99.
Jorge López Anaya, “Especial Arte 2”, La Nación magazine, 31-10-99, p.17
Rodrigo Alonso, “Trans-liminares” catalogue, Fondo Nacional de las Artes, 1999.
Premio Fortabat Catalogue, Museo Nacional de Bellas Artes, 1999.
Emilio Urrity, “La gran obra de arte”, Diario Del fin del mundo, Ushuaia.
Catalogue: El Rojas en Patagonia, Museo Marítimo de Ushuaia, 1999, UBA.
Catalogue: Bienal de Arte contemporáneo, Museo de Bahía Blanca, 1999.
Viviana Usubiaga, “...en síntesis...”, Espacio Giesso magazine, Buenos Aires, March - April 1999
Santiago García Navarro, “Espacio Giesso”, Diario La Nación, 16-4-99.
Santiago García Navarro, “Balance de PROA”, Diario La Nación, 7-1-99.
Catálogue, Balance ´98, Fundación PROA, 1999.
1998
Jorge López Anaya, “Balance con Ganancias“, Diario La Nación, 27-12-98
Leo Chiachio y Gabriela Francote, “Los 90 en fuga”, interview, Espacio Giesso magazine, November 1998.
Elena Oliveras , “Alicia Herrero”, Art Nexus magazine, No. 28, June 1998.
Laura Bartkis, “Artistas contra los costos de catálogo”, Diario Perfil, 17-5-98
Santiago García Navarro, “Una riesgosa manipulación”, Diario La Nación, 7-5-98
Eva Gristein, “Alicia Herrero, una colección desquiciada”, Diario El Cronista Comercial, 13-5-98
María Moreno, “Hay humo en tus ojos”, Diario Pagina 12, 17-5-98, Suplemento Radar.
Marta Dillon, “Viaje Herrero”, Barbaria magazine, ICI, May 1998.
1997
Laura Batkis, “Alicia Herrero”, Lápiz magazine, No. 136, October 1997.
Laura Bartkis, Alicia Herrero catalogue, Fundación Banco Patricios, Buenos Aires.
Jorge López Anaya, “Un tesoro en la alacena de la cocina”, Diario La Nación, 11-10-97
Ana María Battistozzi, “...Y objetos sin valor”, Diario Clarín 19-10-97.
Elena Oliveras, “La colección paródica de Alicia Herrero”, catalogue, “15 artistas-15 críticos”, Praxis, Buenos Aires, 1997.
Santiago García Navarro, “Alicia Herrero”, Diario La Nación, Suplemento Vía Libre, 30-10-97
Eva Gristein, “Un trío de buenos artistas”, Diario El Cronista Comercial, 3-9-97
Victoria Verlichak, “Alicia Herrero”, D Y D magazine, November 1997.
Corinne Sacco Abadi. “Ecuador, México, Argentina, señales presentes”, Artinf magazine, Summer 1997.
Andrea Giunta. Catalogue, “en tránsito: señales presentes”, Museo del Chopo, México y Fundación Banco Patricios, Buenos Aires.
Merry Mac Masters, “Segunda etapa de intercambio México-Argentina”, Diario La Jornada (México), 10-1-97
Estela Alcántara, “En tránsito, señales presentes confronta artistas mexicanos y argentinos”, Diario Gaceta (México), 16-1-97
Diario Reforma, “Señales de artistas argentinos y mexicanos”, Suplemento Cultural, 10-1-97.
1996
Fabián Lebenglick, “Los cínicos y los críticos”, Diario Página 12, 10-9-96
Laura Feinsilver, “México y la Argentina por un arte crítico”, Diario Ambito Financiero, 7-9-96
Silvia Ambrosini, “Argentina México “ Artinf magazine, Spring 1996.
Inés Katzestein , “ En tránsito: una exposición de arte conceptual”, El Cronista Comercial, 5-9-96
1995
Inés Katzestein, interview, “Lo culinario del arte”, Artinf magazine, Autumn 1995.
Jim Levine, “Kvinnorna Komer starkt” magazine Konsttidningen, June 1996, nº 3, p.7
Feliciano Centurión, “ Herrero López Schiavi” catalogue, Centro Cultural de la Ciudad y Pequeña Galería, Asunción del Paraguay, 1995.
Elena Oliveras, “La diferencia femenina “, Los lunes de la crítica, Fundación Klemm, Instituto de Estética de Madrid and Museo Nacional de Bellas Artes, 1995 – 96.
1994
Hernán Ameijeiras, “Actualmente todo termina siendo domesticado”, interview, La Maga magazine, 9-11-94
Fabián Lebenglik,”El calor del hogar “ Diario Página 12, 8-11-94
Fabián Lebenglik, “El calor del hogar”, “Violaciones Domésticas” catalogue, Espacio Giesso, Buenos Aires, 1994.
Inés Katzestein, “La Bienal de La Habana”, La Maga magazine, Buenos Aires, April 6, 1994
Andrea Giunta, “La mirada femenina y el discurso de la diferencia”, Catalogue, V Bienal de La Habana, 1994
1993
Hernán Ameijeiras, “18 artistas argentinos...”, La Maga magazine, 22-12-93
Andrea Giunta, “La mirada femenina y el discurso de la diferencia”, Symposium Latinoamericana de Estética y Crítica, 5-11-93
Julio Sánchez, “Alicia Herrero de lo lúbrico a lo beatífico”, Clásica y Moderna catalogue, March 1993.
Hernán Ameijeiras, “Herrero en el Uruguay”, La Maga magazine, 17-2-93
1992
Fabián Lebenglik, “Como prolongar cabeza y manos”, Diario Página 12, October 1992.
Jorge Glusberg, “Expone la generación joven”, Diario Ambito Financiero, 1-9-92
Carlos Spartaco, “El licor de la letra”, Espacio Giesso catalogue, April 1992
Jorge López Anaya, “Metáforas de placer”, Diario La Nación, 2-5-92
Fabián Lebenglik, “Nuevas imágenes...”, Diario Página 12, March 1992
1991
Albino Dieguez Videla , “Magníficos cambios de Alicia Herrero”, Diario La Prensa, 9-6-91
Fabián Lebenglik, “Herrero Poética”, Diario Página 12, 4-6-91